A Quote by Ron Stallworth
When you're undercover you try to stay as true to your identity as you are. You know who you are, and you know how you normally function. If you try to put on a pretense, such as assuming a fake voice, you have to put on that fake voice all of the time. And you can't afford to slip out of it. It's too dangerous.
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I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
They say it's all fake, but there's nothing fake when a guy picks you up and slams you down or throws you out of the ring onto a concrete floor. They say, 'Yeah, but you know how to land.' Well, you try landing on a concrete floor.
There's a lot of people who can't figure out how to enjoy magic while simultaneously knowing that it's fake. Magic is like breast implants. We know they're fake, but when done well they can give you a feeling of true wonder.
My boobs are fake, my hair's fake but what is real is my voice and my heart.
You can talk all you want about Russia, which is all a, you know, fake news fabricated deal to try to make up for the loss of the Democrats and the press plays right into it. In fact, I saw a couple of the people that were supposedly involved with this but they know nothing about it. They never made a phone call to Russia, they never received a phone call, it's all fake news. It's all fake news.
I have learned one thing, because I get treated very unfairly, that's what I call it, the fake media. And the fake media is not all of the media. You know some tried to say that the fake media was all the media, no. Sometimes they're fake, but the fake media is only some of the media. It bears no relationship to the truth.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
I try to outline. I'm a lazy outliner. I will put the points down of each chapter or series of chapters, but it always changes. For me it's a place of evolution. I don't really know who the characters are. I don't really know what the story is. I outline and that really just gets me moving. It's like I'm drawing up fake maps, but they turn out to be correct.
I'll never try to put on a fake image. I'm just Zac.
I try to please people, to give them a good time, but I refuse to make my act conform to traditional show-biz standards of entertainment. There's a little voice that says, 'Oh, no, you can't do that, that's breaking all the rules.' That's the voice of show business. Then this other little voice says, 'Try it.' And most of the time, when the voice comes on and says, 'No,' that's the time it works.
If you don't want to put on any makeup, try some fake eyelashes. They make your eyes pop and give you a little confidence boost.
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
I don't know why I've always been uncomfortable being too feminine. If a dress has too many flowers on it, if I'm giggling too much, I'm like ugh, put some combat boots on. I love masculine women. I think it's because I'm like a fake lesbian, I don't know.
The beauty of having a studio is I can go in and record any time I want to, so you can always put down your ideas or whatever. You use your voice recorder and, you know, take your voice notes down and just preserve all the little jewels and gems when you're in there, putting that song together.
I don't know how people can fake whole relationships... I can't even fake a hello to somebody I don't like
When it comes down to that moment, when it's me against you, you know in your head whether you worked hard enough. You can try to lie to yourself. You can try to tell yourself that you put in the time. But you know - and so do I.
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