A Quote by Ron White
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
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I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff. So I do very, very little of it.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
Someone asked me the other day what it feels like to see all my 'old stuff' reappearing, at long last, in digital. And I had to smile because to me it doesn't feel like 'old stuff.'
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I'm more like a senior adviser so I don't like to come in here and try to take over. Just like your basic karate movie where the young guys come to the old guys with beards who have them do weird stuff to get to the other side. That's who I am, the old guy with a long beard.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I’m going to do a lot of weird stuff that’s not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it’s time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I find it incredibly annoying to just go out and sing the old stuff and write songs that sound like the old stuff.
Liz [Gillies] doesn't really listen to anything new, besides Adele, Ariana Grande, and stuff like that. She loves '70s music and old '60s songs. She loves songwriters from the '70s that I hate, like Jim Croce and James Taylor, and she loves Stevie Nicks and old jazz classics.
I really love 'Real Housewives.' It's like the, you know, comedy stuff that's, like, intentionally funny. Like, I love 'Nathan for You,' that Comedy Central show. It's just brilliant. My friend Bill Eichner has a show called 'Billy on the Street' that I write for, and even if I didn't write for it, I'd still love it.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the 'old stuff.'
I tend to fly old airplanes and old sort of things that are nearly about as old as me. Biplanes and stuff like that.
You know, even though I'm in fashion, I don't, like, do fashion. Fashion isn't me, even though I work in it. It's just materialistic stuff. I just want to do whatever makes me happy...Like being totally conscious. Laughing is, like, my favorite thing to do. Being with friends, having fun...being a bit daft.
When people come to see me, they'll see what they know me for. Hits from the past, but I always mix in a little something new. New stuff. Old stuff. It creates a great show. There's a lot of crowd participation. A lot of interaction and energy. That's what I do best.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
Outside of 'Justified,' I do like to keep it to comedy. When I'm not there, I try to seek out stuff that sort of more along the lighter fare. I have more fun on those sets than I do on drama sets just because when it's heavy, it's heavy, and it's hard to get away from it.
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