A Quote by Ron White
I was so in love with the idea of making people laugh for a living that I didn't care what I had to do to get there. Or how much money I was going to make when I did get there.
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It's a privilege to do what I do for a living - to take people out of their miserable day, or to educate somebody, or make somebody laugh, or fall in love with an idea. How good is that? And I get paid to do it!
There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
Don't get the idea that I've turned green. My business is making money, and I think this is going to make a lot of money.
I had heard about how people struggle and how hard it is to get into acting. But I did not care because it's something I love.
I do not understand how deeply people seem to like my work - but I love that people feel I have helped them through hardships, and also have shared my experience of living a more spiritual and present life. It's so great to be able to make people laugh, because this is so often how we get our selves back.
I don't care if Trump has $100 billion. He's earned it. He's had a job. There are ways you can track what he has earned. The Clintons don't want to admit how they've earned their money. They love to brag about their wealth, but how did they get it? Making speeches, $750,000 for one speech from a firm that now has close ties with Mrs. Clinton as a secretary of state and potentially as president? It's $750,000 for one speech.
There are three rules for being in the Paper Route Illuminati. Rule number one: get the money first. Rule number two: don't forget to get the money. How do you make that money? You can't make money without making sacrifices.
Making music is like being the president: You can't tell people you're going to make health care free to get them behind you, but when you get that role, you don't do it.
When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.
When you're in your nineties and looking back, it's not going to be how much money you made or how many awards you've won. It's really what did you stand for. Did you make a positive difference for people?
The Four Levels of Comedy: Make your friends laugh, Make strangers laugh, Get paid to make strangers laugh, and Make people talk like you because it's so much fun.
I did Broadway shows. And I started realizing that this is actually how I'm going to make my living. So maybe I should try to do television and film and make a better living and get an occasional residual check so I can pay a mortgage someday.
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
There are so many groups making so much money in the medical care system that any major reorganization is going to make someone unhappy or anxious at the least, ... I don't know how you do it.
I did this very cheap movie called 'Love,' and then I decided I wanted to make an even cheaper movie so people don't get involved and can't tell you how to rewrite it or how to avoid losing money. The good thing about doing these quite cheap movies is that you have much more freedom.
I would love to make my entire career as the guy who did not get cheered. Of course, I'm still going to get cheered by people who think they're smart, and that's fine - they're acknowledging how good I am at my job - but I don't want cheers; I want the boos. I love it.
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