A Quote by Ron White

I believe everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level. — © Ron White
I believe everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level.
Everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level. Ultimately I'm the writer for me, but also anytime one of my friends gets stuck with a bit, they can call me and I'm pretty good at helping them get there. I think we all work together on some level, but for the most part, we're on our own.
I believe everything creative is somewhat collaborative.
I've done well because I'm lucky and I'm willing to be collaborative with the one thing you don't want to be collaborative with: your writing.
Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.
In film, it is always collaborative, and so to me, it doesn't make sense to not be collaborative in one of its most critical arenas - which is the screenplay.
I love being in a band. I love that collaborative spirit, although some would suggest that I don't get involved in the collaborative spirit, but it's not true.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
The fact is, almost everything you do is collaborative. Somewhere out there, someone else had a hand it it.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.
For the most part, I really love being in a collaborative thing. And in a collaborative thing if you have a singer as good as Sean Smith or Eddie Vedder, you kind of think, well, why don't you just go ahead and let them sing? People seem to really like it.
Now jamming - which is about collaborative improvisation - has to do with getting people together to be creative musically. But it is a very powerful metaphor for understanding the grammar of the creative process. It applies to business and to other pursuits as well.
Composing for concert performance is a somewhat lonely occupation, but composing a film score is highly collaborative.
You know, it takes a while to get used to - it's a whole group of people with all these ideas and after you sort of navigate your way through the first few episodes it becomes collaborative and creative.
Be your kid's collaborative partner, but also be a collaborative partner with the folks at school. Schools can be pretty unilateral too. Show them you know how to collaborate. Show them this is not about power. Let them know detentions and suspensions and paddling don't solve the problems that are affecting kids' lives. Those problems can be identified and solved but not by being punitive.
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