If you're focused on the friendship as its own reward, serendipitous stuff just happens. I know that sounds weird, but I can tell you for our 12 years of existence, it's actually how a lot of stuff happens.
The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens.
Theater is the best. That's where you get the work done. You just really get in there and figure something out about a story or a character or life or the world. That's where magic stuff happens.
If you've done the work, done the training sessions, when you go into these games, you should feel ready. All you can ask is, 'Did you do your best, and try your best,' and then what happens, happens.
I think, at some point, all of us - I'm gonna speak personally, not for everybody else - you're gonna feel like a one-trick pony, and you might even be a one-trick pony. But at some point, if it's a really good trick, everybody's still gonna appreciate it.
I feel like everything in my life has somehow just fallen into perfect place at the perfect time. I don't know how it happened. It's always like right at the point of my life about to fall apart, and then something amazing happens. I don't know how, but it happens.
The best complement I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
The best compliment I ever got from the public or producers or directors is that I just totally blend in and become the character and they don't notice me and that the play happens or the movie happens or the TV show happens.
I never had anything planned, like, 'When I'm 40 I'll be coaching here.' A number of people in our profession have done that, but my thing was always, wherever I was coaching, to work hard, do the best you can, and if it happens, it happens.
We see something change in our climate and we blame ourselves ... I don't think we understand what happens. We can watch it happen on the (climate) models, we know it happens, but we don't know for sure how it happens.
Bad stuff happens.
Sometimes it makes no sense at all. Sometimes its unfair.
Sometimes, it just plain sucks.
Bad stuff happens sometimes.
Always remember that, but remember that you have to move on somehow. You just pick your head up and stare at something beautiful like the sky, or the ocean, and you move the hell on.
The artwork had very little to do with the thought process, and the writing too, for that matter. What happens, happens, and it happens outside the brain.
You can go to India and you can see gurus go into samadhi. But when they come out of samadhi, they're nasty. They're egocentric. They don't have a deep regard or understanding of what life is. It's just a little trick they can do, a one-trick pony.
I don't know what I would do if it wasn't music, 'cause I'm really a one trick pony.
Hollywood is just so strange. It's like, everyone has a whole bunch of stuff boiling away and whichever one happens first, happens. That one, we're still in the process of, you know, trying to write the script. So, it's still very early stages at this point. Yeah.