A Quote by Ron White
When I was 20, I used to go around telling stories, and I knew where I was comfortable - onstage, talking, making 'em laugh and listen to the weirdest things. I liked being the center of attention.
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I liked making people laugh. I remember that specifically, being really young and having my parents being in the audience and laughing. It wasn't really a 'Oh, I'm the center of attention' feeling; it was more 'Oh, I'm making them so happy right now' feeling. I liked that.
I wish we could all have a telling room, a place where we go to tell our stories and listen to the stories of others; in our culture, the telling room might be around the dinner table or in the car on a long trip.
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
I love telling stories, telling jokes, making people laugh. I've got no plans to stop doing it.
I love telling stories, telling jokes, making people laugh. Ive got no plans to stop doing it.
One thing I always loved about vinyl was the length of a side, around 20 or 22 minutes. That's the perfect length of an attention span for listening time, you know? You could listen and give it all your attention. Put on something that's 70 minutes, and nobody's sticking around past the first 20 or 30 minutes.
I definitely enjoyed being in front of an audience, making people laugh, and telling stories, so when I realized I could do all three at the same time, that was it.
I loved being the center of attention and making plays, but I knew the reality of being an actor because I had parents who struggled, I saw people working three jobs in order to be able to audition the next day.
I'm the youngest of six. When you're in a big family, you get put to the test right away. Do I like being the center of attention? Or do I not like it? You have to make that decision a lot growing up. I knew from a very young age that I liked it.
Making books has always felt very connected to my bookselling experience, that of wanting to draw people's attention to things that I liked, to shape things that I liked into new shapes.
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
This was what I liked most about my friends: just sitting around & telling stories.
The Time that Remains is a way of interpreting a certain ambience or emotion. These are the stories that my father told me over the course of fifteen or twenty years. I used to listen to him. From the cowardly part of my character, I'm always in fear of not telling the right story. I'm not interested in making epics.
I always liked to write and had fun writing, but I didn't have any pretensions about being a writer. I liked to read and liked to putz around and write little stories or poems, but my thing was sports.
You're gonna die. You're gonna die. And nobody's gonna care which version of the iPhone you used to make something on Twitter, or to go and post about your bowel movement on Facebook. And I'm not even talking about legacy; I'm talking about the fact that I personally feel most alive when I'm making something, and I feel least alive when I'm being led around by some obnoxious use of my attention that I wasn't aware of. To me, that's the thing. You can buy the jogging shoes and you can buy the Runner's World, but until you put them on and walk out the door every day, you're just a fat man.
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