A Quote by Ron White
Let's face it: a lot of my material comes from the stuff that happens to me on the road.
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My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
A lot of the stuff you do as an actor - or I do, because I can't speak for everyone - is not always consciously thought out. A lot of the time, for me, it's actually just feeling stuff, and it happens all in the moment and your body reacts.
If you're focused on the friendship as its own reward, serendipitous stuff just happens. I know that sounds weird, but I can tell you for our 12 years of existence, it's actually how a lot of stuff happens.
I have my guy Semi who is my on the road - he's my personal trainer. He helps me out with training and stuff like that, and he's shown me a lot of things I can do on the road. We were trying to figure out something that I can do everywhere, like in my hotel room, so I don't have to have a gym.
I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
I don't like to use the word 'fake.' A lot of our stuff is choreographed. But there is a lot of physicality that happens during the course of a match and our careers. There's a lot of physicality that happens to us and you can't deny that.
Whatever is on the page is what I'm married to. I'm very prepared. I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
While it may seem a little mundane, the material realities of realizing the painting actually have a lot to do with how you should read the painting. For example, we assume that what the model is wearing is what we found him in in the streets. No; in fact, a lot of what happens is that in Photoshop certain aspects are being heightened or diminished. There is no actual material truth in these paintings.
I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.
It's funny, when I'm not on the road or doing stuff with Bad Company - or whatever- I've always written songs galore... a lot of stuff people don't even hear.
Let's face it, all the good stuff happens after midnight.
When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.
When I was in college, my parents' house burned down, and took a lot of the possessions I'd grown up with. That's probably one thing that made me realize material stuff is not really that important.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
I don't like to do material people have heard. Now, they like to hear material that they know, because that's the stuff that made me famous, and, unfortunately, I don't do a ton of it.
I have learned that the stuff that causes me anxiety, the stuff I instinctively veer away from, is usually a road map to where my own creative growth can be found. So I consciously head toward the places that make me uncomfortable.
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