The idea was to make a movie ourselves with everyone playing a cameo role. Preferably before we all go, 'cos poor old Charlie Wilson was murdered, and of course Buster has gone.
You know that was much more of a kind of cameo, I love the movie, I love the story, I love Johnny as a fun little role but it was more of a cameo, not anywhere near as developed as this role.
Everyone seems to have this awareness of Charlie Chaplin because he was a really good businessman while Buster Keaton wasn't.
I don't understand the actor who plays the same role from movie to movie. Maybe it's because I worked on long-running television when I was in my teens, and so the idea of playing the same role just bores me intensely. I'd rather not do it at all.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of course, but a very alluring dream for a young man from Canton.
When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young.
I know of only six genuine comic geniuses in movie history; Charlie Chaplin, Buster Keaton, Groucho Marx & Harpo Marx, Peter Sellers, and W.C. Fields.
If you're playing a lead, you're shaping the movie. When you're playing a supporting role, you've got only a moment to make it count.
The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world.
Of course, when it comes to Japanese role-playing games, in any role-playing game in Japan you're supposed to collect a huge number of items, and magic, and you've got to actually combine different items together to make something really different.
My strongest hope is for a cameo as a band playing in a club visited by the detectives on 'Law & Order: SVU' during the course of an investigation, maybe during sound check, or something, so they can force us to stop playing while they question the sound guy.
I don't believe in terminologies like 'lead role' or 'supporting role' or 'cameo role,' etc.
I was a big fan of Buster Keaton and Charlie Chaplin.
I love Fatty Arbuckle and Buster Keaton, but not Charlie Chaplin.
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.