A Quote by Ronald D. Moore

I guess, at the beginning of any project, I always have the same hope, which is that it's going to be wildly successful and critically acclaimed, and it'll be a major thing.
Hollywood is a roulette wheel. Each project dictates what's going to happen for you next, and it doesn't really matter that your project is critically acclaimed or won awards or has fans worldwide. It's a matter of how many movie tickets and DVDs and on-demand movies that you sell.
It's hard to get to the right position, to be somebody who is commercially successful and critically acclaimed. That's the sweet spot.
You want to be commercially successful and critically acclaimed. But the truth is, there's only a few Bruce Springsteens and Paul McCartneys out there.
I've been as critically rubbished as acclaimed and the worst thing about that is that it usually plays into your own self-criticism.
After acting in a critically acclaimed film like 'Kaaka Muttai,' I didn't get any offers for more than a year.
In some cases we've been building tools that are specific to Linux for the desktop, and they only work on Linux, but I see two major projects that are wildly, wildly successful: Mozilla and OpenOffice, and those two programs are cross platform.
I've had the joy of working on critically acclaimed shows, but unfortunately, those shows aren't always in the Golden Globe or Emmy categories, which bums me out because they are really good, quality shows.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
The danger for any artist whose work is both recognizable and critically acclaimed is complacent repetition - the temptation to churn out easily identifiable, eagerly welcomed, and readily salable designs.
Despite the war, and bombings, and all the big things that happen to us, the stuff of our lives is small and always will be. During a war it is different, but even then, it is perfectly possible to write novels during a major war, which are about those thing which endure. It is what makes us human and the thing which is going to keep going.
Hope. People want hope. We crave hope. We long for hope. Hope has been present since the very beginning. And almost in the worst situations of human history, you often find the greatest amount of hope. The very nature of the situation, the way stepped-on people created within them even more hope than when things were going fine. Hope has always been around.
There is something in the human psyche that there is a connection between horses and humans, a real special kind of a thing, and I guess it’s always been there. I hope it will always be there, I hope we don’t evolve past that.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
I have to be absolutely drawn to the project. If you're ashamed or bored by it at the beginning, it's going to be a pretty nightmarish thing.
A major celebrity is a major brand, and major brands pick very critically what other brands they're going to associate with. So an A-list celebrity usually picks an A-list brand.
To be critically acclaimed, to get a Grammy, to be on MTV, you gotta talk about current events. You gotta talk about controversy, just stuff people want to hear. At the same time, you gotta get a message across.
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