A Quote by Ronald D. Moore

The last thing I wanted to do was 'Battlestar Galactica.' I thought, 'I've done sci-fi. I did 'Blade Runner.' I don't have to do anything more.' — © Ronald D. Moore
The last thing I wanted to do was 'Battlestar Galactica.' I thought, 'I've done sci-fi. I did 'Blade Runner.' I don't have to do anything more.'
I am such a 'True Detective' fan. I was anticipating it each Sunday as it came. I'm kind of a sci-fi fan. I was really hooked on the 'Battlestar Galactica' series. I think I owned every box set of 'Battlestar Galactica.' I also really love 'Bob's Burgers.'
I did a 'Children of the Corn' remake for Sci Fi Channel. I play the Peter Horton role from the original, and Candace McClure from 'Battlestar Galactica' is my Linda Hamilton.
I love sci-fi. Growing up, I was a big fan of the 'Alien' series, 'Star Trek: Deep Space Nine,' etcetera. Plus, anything apocalyptic - 'I Am Legend,' '1984,' 'Battlestar Galactica.'
'Star Trek' put sci-fi on the map and changed television, and 'Battlestar' has changed it in another direction by making it a little more mainstream and acceptable to people who wouldn't normally watch sci-fi.
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
I've been dreaming to do sci-fi since I was 10 years old, and I said 'no' to a lot of sequels - I couldn't say 'no' to 'Blade Runner.'
I have to say, as a young woman of color, and this may sound controversial, in sci-fi, anything is possible. In sci-fi I can belong to the military. In sci-fi I can have an interracial love affair; I can be a revolutionary.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
I was a huge fan of 'Blade Runner.' That was a pretty formative film for me growing up. It really got my sci-fi juices flowing, as it were.
Sci-fi fans are a different breed. They are so loyal, it's unbelievable. They've seen every sci-fi thing I've done, and then they started watching 'Homeland' because I was in it.
I have done a lot of sci-fi, not out of choice, necessarily. It's just that I'm Canadian, and it's more cost-efficient to film sci-fi up here.
I wanted to write a sci-fi story that would appeal to young women. Loads of girls like sci-fi, but it's more culturally associated with guys.
I've been in the director's chair for 'Battlestar Galactica' since its first season. I directed the only comedy that's ever been done in Galactica history.
New York City has changed enormously. My gut impression of it now is that it's like being in a sci-fi novel: 'Blade Runner' syndrome. Nothing seems real anymore; everything is pre-packaged.
When I was a kid growing up in the '80s, the BBC showed those old Buster Crabbe serials like Flash Gordon and Buck Rogers. So instead of ponderous sci-fi or depressing sci-fi or dystopian sci-fi and all the things we're kind of used to, where it's always raining and it's always dark, I thought, "Wouldn't it be nice to do something that was just fun and absolutely nonstop?" Like, I love writing action, and this thing is that. It's all action.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
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