A Quote by Ronald D. Moore

I felt that 'Deep Space' was the way to do a spin off series of an existing franchise where you really are doing a very different show. It's a different format. It's a different feeling.
I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.
Voice work is really fun and challenging. I like learning different skills and different styles, and this is definitely different from doing a play or a filmed TV show.
We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film].
To portray an iconic character has been brilliant in itself, and to be able to do that on a show like 'Once Upon a Time' enhances that because the show puts a spin on characters and makes them very different and puts core values that are very different that aren't in the original fairy tales a lot of people relate to.
Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.
I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
If one looks at the different problems of the integral calculus which arise naturally when one wishes to go deep into the different parts of physics, it is impossible not to be struck by the analogies existing.
Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.
Remember, we really grew up separately; our life experience was very different because of segregation. So I think comedy is a good space to work those things out and educate everyone about the different experiences and different race groups in South Africa.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.
Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.
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