A Quote by Ronald Harwood

I went straight in. Fade in, one... whatever. He's playing the piano in the radio station. — © Ronald Harwood
I went straight in. Fade in, one... whatever. He's playing the piano in the radio station.
And I was shocked, To see the mistakes of each generation, Will just fade like a radio station, If you drive out of range...
If I weren't playing baseball, I would be a radio or sports broadcaster. In college at South Carolina I did some stuff with the radio station and really liked it.
I was doing a late-night round as a milkman in 1978 when I heard a radio DJ announce that he was leaving. I marched straight to the radio station and told them I could do better. For some reason, they gave me a go.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
I walk around every day with a radio playing constantly in my head, and this radio station plays a lot of hits. But it's all my songs, so that's something to be excited about 24 hours a day.
Every time I went on the radio, I would take the crummiest radio station, the station that was like a toilet bowl. I would go on there and build up the ratings, so you couldn't do any worse.
It's one thing when you're driving to go play at a radio station and you hear it on that station. It's another thing when you're just out in the middle of nowhere, and the song just comes on the radio, and you're like "Oh my God!"
Even if I was playing the keyboard in an orchestra, or a radio jockey playing music at an FM station, I would have been the happiest person. So, for me, all this... being a music composer and getting appreciated for my craft... it is a bonus. It is God's gift.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
The radio station was playing Tchaikovsky's Swan Lake, a sure sign that things were much worse than they appeared.
America was the funder of petro-dictatorships. We treated all these countries as basically big, large gas stations: Libya station, Iraq station, Iran station, Egypt station, Syria station, and all we asked of them were three things: Keep your palms open, your prices low and don't bother Israel too much, and you can do whatever you want to your own people.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
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