A Quote by Ronald Kessler
When I was doing interviews at the FBI, my tape recorder battery died. They gave me a new one, and I said, 'Of course, this is bugged?'
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My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
I never do formal interviews. I don't use a tape recorder. I take notes but occasionally.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
[MTV] just wanted a regular person that knew a decent amount about music.I'm so used to doing solitary interviews. You have some control - it's quiet, it's just you with your tape recorder and the person. Then when I was in front of the camera, I broke out in hives, which I continued to do well after I got the job.
My mom played the recorder. But not having electricity, we had minimal exposure to music. As I got a little older, we had Walkmans and things that were battery-powered, but it would have been nice to be growing up in the iPod era. A tape only has six songs on a side.
It is just like your tape-recorder. It records, it reproduces - all by itself. You only listen. Similarly, I watch all that happens, including my talking to you. It is not me who talks, the words appear in my mind and then I hear them said.
I have great respect for the FBI, and I know that there have been some rumors lately that the FBI was disenchanted because of what we were doing in story, or doing a certain take: that's not true. Actually the FBI was tremendously enthusiastic about us doing [ J. Edgar Hoover ] film.
right' i said. 'but first, we need the car. and after that, the cocaine. and then the tape recorder, for special music, and some acapulco shirts.
Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.
I think Ru [Paul] gave me the best advice when he said to talk into a recorder and transcribe it. That is what worked for me. I just talked. Out of the talking I listened to it found what was cohesive. It all came together.
Everything I'm doing musically is for its own sake. I'm recording at my house, trying really hard to write songs with a four-track tape recorder.
It's such a relief for me to sit in front of a tape recorder and not be using it to learn my lines.
Many of my characters first came through to me as voices. That's why I use a tape recorder.
In the early '90s, my cousin gave me a Snoop Dogg cassette tape, and the rawness of the lyrics were something new to me.
In contemporary music, the challenge for me is to make the recorder sound as naturally expressive as, for example, the violin - without doing it too much and forcing the instrument. It is very easy to be overly expressive on the recorder, and finding the balance is quite difficult.
The only vocal training I had was playing with a tape recorder as a kid, and you know, doing the beginning of the 'Lone Ranger' show, with a hearty hi-o silver, and just having fun, never really thinking I would be an announcer.
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