A Quote by Ronald Kessler
Whatever they do, criminals and non-criminals act in particular ways. Some writers, for instance, use computers, others pen and paper. Some write in the morning, some at night. Each writer has a distinct style, with variations in grammar, sentence structure, and voice.
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There's some criminals that wear badges. Guess what? There's some criminals that work in the media. There's some criminals that are football coaches. There's some criminals that are politicians. There are criminals that work in churches.
Legal aid gets a bad press. Some rail against handing taxpayers' money to criminals; others attack fat cat lawyers, while some argue that we spend far more on legal aid than other countries. But let's get some facts straight: saying that legal aid is just about criminals is wrong - most goes to people before any decision is taken on their guilt.
Every writer writes in different ways, and so some write the music first, while others write the lyrics first, and some write while they are doing other things, and it is just nice to see how other writers are writing.
There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.
Some writers are only born to help another writer write one sentence.
There's a difference between criminals and crooks. Crooks steal. Criminals blow some guy's brains out. I'm a crook.
I'm not a writer who's preaching some particular philosophy or something but the big questions do concern me and I like to make my readers think and debate and argue with each other and look at some aspect of the world or some act of governance or war or power and have an angle they haven't considered before, and that's something I strive for and hopefully have accomplished.
Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.
Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
I am not a particularly natural writer. I am not a person who can write in paragraphs the way some writers do. For me, it's sentence by sentence, sometimes word-by-word. And I revise constantly. It's a very laborious process, but I love doing it.
One tenet of the National Rifle Association's faith has always been that handgun controls do little to stop criminals from obtaining handguns. For once, the NRA is right and America's leading handgun control organization is wrong. Criminals don't buy guns in gun stores. That's why they're criminals. But it isn't criminals who are killing most of the 20,000 to 22,000 people who die from handguns each year. We are.
May I suggest that you write, that you keep journals, that you express your thoughts on paper. Writing is a great discipline. It is a tremendous educational effort. It will assist you in various ways, and you will bless the lives of many-your families and others-now and in the years to come, as you put on paper some of your experiences and some of your musings.
I know people have tried to make citizens' arrests on Tony Blair and so on, but really it's time the international criminal court has some guts and charges white war criminals. They need to face justice just like other war criminals.
There are many kinds of smiles, each having a distinct character. Some announce goodness and sweetness, others betray sarcasm, bitterness and pride; some soften the countenance by their languishing tenderness, others brighten by their spiritual vivacity.
At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
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