A Quote by Ronald Reagan

I don't want to do a TV series. It's no fun working from dawn to sunset every day. An occasional movie would be fine, and then I'll see what might develop on the political front.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
You want be young and have fun, that's great. But while you're having fun, someone you don't see is studying and preparing. You might end up working for that person. No one wants to hear that! But I try to tell young people: You want to be the one signing the front of the check, not the back.
When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ball point pens. You can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn.
I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.
And then afterwards I worked in advertising for a year which taught me about writing even when you don't want to (laughter) because there's never a moment that you want to write about an Erickson cell phone but you have to. And that's really important you know obviously for the...like if you really want to write, you have to write every day no matter how you feel or you know. And then, yeah, and then I ended up working in TV and then from TV into movies and then directing, so.
I created my own little online series, 'Love, Life & Music,' years ago, before reality TV got poppin'. I wanted my fans to see that I wasn't just here sitting on my hands. I'm out here every day, grinding and working.
Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.
I was a regular, so that meant I was working every week on the series. Which was fine. 'Family Ties' was a fantastic series. It's all good.
You can get in front of the media and say, 'Yeah, I'm working hard.' You can't do it in front of those other 52 guys in the locker room. You can't fool your teammates, because they see you. They see you every day, and they see you more than your family sees you.
Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.
Know what you want to do, hold the thought firmly, and do every day what should be done, and every sunset will see you that much nearer to your goal.
I've thought that 'Soulmate' in the 'Night World' series would make a really nice TV-movie or just a movie.
It's a challenge every year with a TV series. You want to keep evolving and keep it going. That's part of the fun.
Working in MTV's development team, my days would consist of pitches and deciding which concepts we wanted to buy. We would then develop those into a pilot. Very few ended up making it to a full series, but if they did, I would manage the project alongside the show's creators.
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