A Quote by Ronald Reagan

Life is one grand, sweet song, so start the music. — © Ronald Reagan
Life is one grand, sweet song, so start the music.
Do noble things, not dream them all day long: And so make Life, Death, and the vast Forever one grand, sweet song.
O thrush, your song is passing sweet, But never a song that you have sung Is half so sweet as thrushes sang When my dear love and I were young.
If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be. But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy. At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.
I have a sweet tooth for song and music. This is my Polish sin.
Music fills peoples with life. It doesn't have to be a 'happy song.' If you have that one song that relates to you, whether it's a sad song or a gangster song, whatever relates to you the most in that moment, it can literally get you through the day.
I'm a sucker for a catchy song, and dance music. That's my sweet spot.
I'm very conscious that a music video is beyond just a promotional tool for a song. It takes a song to the next level and it gives a song a new life.
Then I played the song that hides in the center of me. That wordless music that moves through the secret places in my heart. I played it carefully, strumming it slow and low into the dark stillness of the night. I would like to say it is a happy song, that it is sweet and bright, but it is not.
When you're at a certain point in your time - age, that is, when you're older - you start to realize that, actually, what you leave behind you does count, and so you start to become fundamentally aware of your own destiny, which sounds very grand. It's not grand at all, actually.
When I write a song, I always start on acoustic guitar, because that's a good test of a song, when it's really open and bare. You can often mislead yourself if you start with computers and samples and programming because you can disguise a bad song.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.
I was like, "Who the hell is Bob Dylan?" I was going to learn one song to appease my mom and alphabetically the first song in the book was "Absolutely Sweet Marie." When I heard it, it was like "Oh, there is something going on here. It's not like my parents' boring music that I don't care about. This is totally electrifying."
Sweet is the breath of vernal shower,/ The bee's collected treasure sweet,/ Sweet music's melting fall, but sweeter yet/ The still small voice of gratitude.
I never start a song at the beginning; I always start in the middle, working with the original concept. That might be a loop or a vocal hook. A weird noise or a string sample. Once that's at the heart of the song, I work concertina-fashion, expanding the song forwards to the end and backwards to the beginning.
Sweet are the pleasures that to verse belong, And doubly sweet a brotherhood in song.
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