A Quote by Ronald Steel

Children, for whom suburban life was supposed to make wholesome little Johns and Wendys, became the acid-dropping, classroom-burning hippies of the 1960s. — © Ronald Steel
Children, for whom suburban life was supposed to make wholesome little Johns and Wendys, became the acid-dropping, classroom-burning hippies of the 1960s.
I'm not regretful about dropping acid, but I could have stopped it a little sooner.
The children of America are not rebelling for no reason. They are not hippies for no reason at all. We don’t have what we have on Sunset Blvd. for no reason. They are rebelling against something. There are so many things burning the people of this country, particularly mothers. They feel they are going to raise sons—and I know what it's like, and you have children of your own, Mrs. Johnson—we raise children and send them to war.
From this time everything was copulated. Acetic, formic, butyric, margaric, &c., acids, alkaloids, ethers, amides, anilides, all became copulated bodies. So that to make acetanilide, for example, they no longer employed acetic acid and aniline, but they re-copulated a copulated oxalic acid with a copulated ammonia. I am inventing nothing-altering nothing. Is it my fault if, when writing history, I appear to be composing a romance?
I was typing away while everybody was dropping acid and smoking grass. I was known as my own square.
Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
Johns will give me a good critique of my work. Before starting my film 'Shutter' I gave the script to Johns for his opinion.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
It's very hard to find good and wholesome, edifying and challenging writing for the students to perform. In my classroom I strive to do that as best as I can.
I was an eccentric teenager in suburban New Jersey, in a town mostly interested in sports, popularity, and clothes. A fan of Jorge Luis Borges, I found a group of Borges scholars from Aarhus, Denmark - perfect strangers - whom I connected to online and immediately became enthralled by the idea of virtual communities.
I enjoyed living in Canada, where my husband comes from, because I was treated like any ordinary person. I became a volunteer at my children's school; I went into the classroom. It was very grounding. I got sick of being famous.
I believe that if we want our children to understand the world beyond their classroom, we must bring the world into their classroom.
A teacher in a differentiated classroom does not classify herself as someone who ‘already differentiates instruction.’ Rather that teacher is fully aware that every hour of teaching, every day in the classroom can reveal one more way to make the classroom a better match for its learners.
For many observers, a child who has known nothing but war, a child for whom the Kalashnikov is the only way to make a living and for whom the bush is the most welcoming community, is a child lost forever for peace and development. I contest this view. For the sake of these children, it is essential to prove that another life is possible.
If there's a movie of Neuromancer, what I really want the special effects guys to do is make you see, from Case's point of view, the little acid giggies: the little lines and trails coming off of things.
What bothers me is that the cinema - what Fox News calls the "wholesome cinema that our children are supposed to be able to see" - is so violent. I'm not even talking about the content. I'm talking about the way in which it's cut.
I loved my time on 'The Mindy Project' so much. It was only supposed to be half a year. It was really only supposed to be one episode, and then it became three episodes, and then it became half a year, and then it became a year and a half, and then it became two years.
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