A Quote by Ronan Farrow
Being under the microscope meant I was never given any slack. I still managed to screw up plenty in life, mind you, but in the things I really cared about - the legal work, or the stories I was telling as a writer, or the office I built in government - I wasn't left a lot of margin for error. It's kept me driven.
Related Quotes
I guess, when I left university, I liked the idea of being a writer, and I thought then that being a writer really meant that you were a novelist. But if one of the impulses for being a novelist is wanting to be a storyteller, I never had any urge to tell stories.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
I really want my acting to be definitive a lot of times, but I must feel like in any given moment there is a lot of things going on with Rose. I kept telling Denzel [Washington] throughout filming [Fences] that the house is her joy and her tomb.
My grandmother knew nothing about sports. She still didn't even when I went to the NBA. She never really cared too much about sports. She only cared about me being a good person.
Government can screw up just about everything. Given enough power and time it will screw up everything.
There have been plenty of things that I've written that other people haven't cared about, but it hasn't stopped me from being a writer. So, I don't even think about other people. I'm just interested writing about human beings so if somebody calls and says, 'We'd like you to do it,' I'd say, 'That sounds like a cool idea.'
The fact that Edward Snowden didn't approach the New York Times hurt a lot. It meant two things. Morally, it meant that somebody with a big story to tell didn't think we were the place to go, and that's painful. And then it also meant that we got beaten on what was arguably the biggest national security story in many, many years. Not only beaten by the Guardian, because he went to the Guardian, but beaten by the Post, because he went to a writer from the Post. We tried to catch up and did some really good stories that I feel good about. But it was really, really, really painful.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
Writer’s block is my unconscious mind telling me that something I’ve just written is either unbelievable or unimportant to me, and I solve it by going back and reinventing some part of what I’ve already written so that when I write it again, it is believable and interesting to me. Then I can go on. Writer’s block is never solved by forcing oneself to “write through it,” because you haven’t solved the problem that caused your unconscious mind to rebel against the story, so it still won’t work – for you or for the reader.
I have never stuck up for any criminal. I have merely asked for the orderly administration of an impartial justice...Due legal process is my own safeguard against being convicted unjustly. To my mind, that's government. That's law and order.
I didn't know I was poor, growing up, because everyone was in the same boat. I couldn't have bikes. It never really bothered me, but I could have any book. I loved school; I loved learning. Yeah, I never cared for possessions. I still don't, really.
I really started considering myself a writer when I was about seven or eight years old. I wrote stories from my dreams and kept them all in a notebook that I still have.
We never really cared about all the things that other people cared about, you know? Like, people recognizing me on the street never interested me. I've always been kind of suspicious of the world, anyway, so it's pretty easy for me to live in my own little world.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
There's still plenty of people who have this deep conviction that America is a Christian country and ought to say so in its Constitution, etc. But that's not the legal basis on which we're framed. So the flourishing of religion, of religious diversity, is really built into who we are.
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