A Quote by Ronda Rousey

I fight with pizazz. It's a different sound from everyone else. It's the sound of pizazz. — © Ronda Rousey
I fight with pizazz. It's a different sound from everyone else. It's the sound of pizazz.
There is a sound that comes from gospel music that doesn't come from anything else. It is a sound of peace. It is a sound of, 'I'm going to make it through all of this.
There is a sound that comes from gospel music that doesn't come from anything else. It is a sound of peace. It is a sound of, 'I'm going to make it through all of this.'
I think my sound differentiates me from everyone else. I'm able to dip and dabble in other genres, without feeling out of place. Im not confined to one sound.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
What's good is that my music is different from everyone else's. It's got the soul element, like Duffy, but it's not very retro. It's a contemporary, pop, fresh sound. That's what makes it different.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
When you write like everyone else and sound like everyone else and act like everyone else, you're saying, 'Our products are like everyone else's, too.'
How we sound was always the intention of how the band should sound. It has nothing with other options or going in a different direction. This has been the Evergreen Terrace sound all along and always will be.
Generally, you are held to a sound and that becomes your sound. That gets branded as your sound, and all the copycats start with it because the labels are looking for that sound.
The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
We look so very different from the way we sound. It’s a shock, similar to hearing your own voice for the first time, when you’re forced to wonder how the rest of you comes across if you sound nothing like the way you think you sound. You feel dislodged from the old shoe of yourself.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in.
If sound is music and came from silence, then silence is potentially greater than sound. If the sound is effective, it should actually have a chemical - some sort of physiological - effect on the listener, so he doesn't have to hear that sound again.
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