A Quote by Ronnie Coleman

My biggest competition is always myself. I mean no disrespect, but I do not look at any of the guys as being my competition for the simple reason that I can't control how they're going to look. I can only control how I look.
The bottom line is that it's the NFL, and there's going to be competition wherever you go. That's the way I look at it. I've had competition in high school. I've had competition in college, and that's part of the game. That's part of how you improve as a quarterback.
You're never in control. That - that is the greatest fallacy of the - you know, there's over 200 people that it requires to make a film. And there's people who are in control of how you look, what your performance is, what takes are used, what - you're only in control of how you say no.
You can't control where you were born, the family you were born into, what you look like; you can't control any of those circumstances. The only thing you can control is how you react.
I think we're our biggest competition. I think the racetrack's the biggest competition. If we go and race the racetrack and try to go around the racetrack faster than our competition, then that's the goal. I look at it as a competition between us and the racetrack because it's all about lap time.
You can't control what the other athlete is going to do; you can't control anything except for your competition and how you execute the race or how you execute the task.
Look at the trees, look at the birds, look at the clouds, look at the stars… and if you have eyes you will be able to see that the whole existence is joyful. Everything is simply happy. Trees are happy for no reason; they are not going to become prime ministers or presidents and they are not going to become rich and they will never have any bank balance. Look at the flowers - for no reason. It is simply unbelievable how happy flowers are.
With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
If your self-esteem really does depend on how you look you're always going to be insecure. There's no way you can get around it because you are going to age. Even if you get that perfect body you're going to get older and older and older. You can't avid it. So you have to somehow, at some point, take control and sift the focus and decide who you are, what you can contribute to the world, what you do and say, is so much more important than how you look.
Regardless of how you feel inside, always try to look like a winner. Even if you are behind, a sustained look of control and confidence can give you a mental edge that results in victory.
People are always judging you based on where you're from, where you went to school, how you look, how you talk. But at the end of the day, you're going to have to look into the mirror and accept who you are. It's all about being authentic.
You can't look at the competition and say you're going to do it better. You have to look at the competition and say you're going to do it differently.
I think that competition will exist even if we discover more oil. We're never going to know how much we have, or how long will it last. You are always going to want to have diversity of supply. I think the Middle East will remain a region of competition, of global competition, fighting for a long time.
Leadership is a matter of having people look at you and gain confidence, seeing how you react. If you're in control, they're in control.
Triple H is a bodybuilder nut. He goes after the bodies. He doesn't care how good - and he can look in the mirror - guys work; he cares how guys look.
It would be great to continue shooting on film. Amongst other things, the mystery of not knowing exactly how it's going to look until we see it later and having your DP and being able to trust in him that he's the holder of how this is going to look is a beautiful mystery of filmmaking I'm loathe to look up.
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