A Quote by Ronnie Corbett
There was a story saying I didn't like contemporary comedians, but it's completely untrue - a lot of them are very dear friends of mine.
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I'm friends with a lot of comedians, but we don't talk about material. Most comedians I know don't watch a lot of other comedy.
I wasn't even a big comedy nerd. A lot of the comedians I know - a lot of my friends are comedians - they knew a lot about comedy growing up.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
I think there are different kinds of comedians, and I prefer the clowns who are going: 'I'm an idiot, aren't we all a bit like this, laugh at me.' Whereas, a lot of other comedians are saying: 'Aren't I clever? You want to be me, aren't I cool? Revere me.' Which is fine. But that's not my bag.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
Here's what I'm afraid of. I know a lot of comedians, friends of mine, who just got into the 'Doesn't matter what I say. It doesn't matter. They're just gonna laugh anyway.'
Here's what I'm afraid of. I know a lot of comedians, friends of mine, who just got into the "Doesn't matter what I say. It doesn't matter. They're just gonna laugh anyway."
Some men are deeply likable but have attitudes I don't like. Does that mean I should completely dismiss them? It's like saying: if someone votes Tory can you like them? And, yes, I can. I have friends who vote Tory, and I'm appalled, but that's not to say they're not great people in so many other ways. We have a tendency to oversimplify things.
Before I started doing standup, I knew that I had what it takes to develop an act. I went down to clubs with not many people there, and I just worked on it, man. A lot of my friends are comedians, so that part had a lot of encouragement, even though the shows were very caveman-like.
I deal with a lot of wonderful gay people. I hire a lot of them. I use a lot of them. I respect them. They're terrific. I am good friends with them. But you live your life the way you want to live, and I'll live mine, and I won't stick my nose in yours.
I was living in New York at the time of the 9/11 attacks. And I remember, you know, in those weeks that followed, when none of us spoke about anything else really, a number of friends of mine, people I knew, including very experienced journalists, I heard them saying things like, well, now we understand what happened to you.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
A lot of the book [The Yoga of Max's Discontent] is about karma and rebirth. Things like that are very attuned to my life as an Indian, but when I approach it from a perspective of a Westerner, then I have a skeptical, yet kind of novice view on it. I think that choice really liberated the story to be its own story. A lot of the conclusions that Max reaches on his own are not mine at all. So, I think that allowed the story to take on its own momentum, to have its own propulsive force.
I feel I have a responsibility to carry out the immigrant story, since it's one that I hold very dear to my heart, since my story is similar in a lot of ways.
I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
I have a very dear family and very dear friends. They're my rock. These are people who knew me from the beginning, you know, as a loser in a 1972 Dodge Dart with the bumper literally duct-taped to the body.
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