A Quote by Ronnie James Dio

I just bought a building in Los Angeles - on Sunset Boulevard. It's a building that was owned by Charlie Chaplin. It's going to be a sound- stage for videos; for full-scale productions.
I am quite handy; not to sound bragadocious, but I've been working with wood and building things my entire life. I used to be a skateboarder and built ramps with my father. Then, the first two years I lived in Los Angeles, I worked as a carpenter building sets.
When I got to Los Angeles, I started building cabins in peoples’ yards, building post-and-beam structures and cutting the joinery for those.
When I got to Los Angeles, I started building cabins in peoples' yards, building post-and-beam structures and cutting the joinery for those.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
The soul is a temple; and God is silently building it by night and by day. Precious thoughts are building it; disinterested love is building it; all-penetrating faith is building it.
We bought an apartment building and were going to live off the rent money. We rented to people who were on welfare and a lot of times they couldn't pay the rent. We wouldn't throw them out so we lost the building.
I have this dreadful image of me driving down Sunset Boulevard in Los Angeles, with the windows rolled down, and our song comes on... and I'm sitting there listening to it and some guy pulls up next to me and thinks, 'Hey, it's that guy from the Goo Goo Dolls... he's listening to his own music. What a jerk!'
I've always been a bit repelled by "Sunset Boulevard", which is wrong about almost everything it touches, whether it's fame, Hollywood, screenwriters, or old ladies. Sunset Boulevard would only make sense to me if it was about John Gilbert and the pool boy.
we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.
The most I ever spent on technology is building a studio - I built one at home in Los Angeles. I can't tell you how much exactly, but the whole process is very expensive.
Live, or die: mere consequences of what you have built. What matters is building well. So here we are, I've assigned myself a new obligation. I'm going to stop undoing, deconstructing, I'm going to start building. What matters is what you are doing when you die... I want to be building.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
If you paint a building shocking pink, that has no scale, it is just a huge mistake, but it's not in the scale of the city to have things like that. You know. So, not only because it's not appropriate, not only because it's offensive to the environment, I mean but among them also because that quantity of that color in the urban scale, is out of scale.
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