A Quote by Ronnie Montrose
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
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I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
We're still making Hot Chip records whilst doing these other things, so why not just try and make music you enjoy making rather than being tied down by things? It would just be crazy to not allow people to make music.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
I never really thought of music as a particularly social thing. I experienced music through recordings as opposed to concerts. It just makes you think about the way things are put together, the way things are written as opposed to the showbusiness of something onstage, so no regrets there.
I keep making the music I do because I feel very purposeful about making things that would be helpful or quell some loneliness in people. I really needed that when I listened to music growing up and even now, so I don't mind that sense of duty.
I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.
You can't please everybody, and basically I just decided to please myself first on this record. This record is more like my diary and I am expressing myself through my music. And that's what it should be about. That's why I didn't change my name or anything. It's not about the name; it's about the music. The old saying goes that video killed the radio star and it's very true. And now I'm just letting everything revolve around the music. There is no image; I am just being myself.
I love commercial music! I can dissect it and criticize it with any critic in the business. But without any thought, I just enjoy it. It's folk music. That's what I'm doing, folk music. I'm not intellectualizing it . . . and making it into a phoney art form. I'm just doing the music I enjoy.
I love '80s happy music. I love Cyndi Lauper and Madonna, and the idea of making music that's about people celebrating fun. I spent my late adolescence in New York and I used to go to a lot of gay clubs. The music there was always just about love and connection and celebrating life. I think, for people going through something really hard, to go to a place where you can let loose and listen to music as a distraction, that's about a better place, a better way of life - that's where all the attraction lies.
Making my way downtown, walking fast, faces pass, and I'm home bound. Staring blankly ahead, just making my way, making a way, through the crowd. And I need you, and I miss you, and now I wonder... If I could fall, into the sky. do you think time, would pass me by? 'Cause you know I'd walk a thousand miles, if I could, just see you tonight.
I really am not interested in making political music per se. I'm making personal records, but at the same time, I'm very much aware of my surroundings. And those surroundings, what's going on in the larger picture, affects my everyday life and affects the way that I think.
I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.
The journey of making money in music has changed a great deal and is now based on merchandising and just being very smart in the business. Downloading from iTunes has become the way to purchase music and the price that you pay there for a song cannot compare to the days when people paid money for records.
There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.
I believe music should reflect yourself in some way and not just yourself at the given time. I feel that when you die or when you're going, someone's supposed to listen to that music and know everything about you. And I just try to get that across.
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