A Quote by Ronnie Spector
No one has their own identity like the Ronettes did back in the day.
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I look around me and I don’t see any rock’n’roll at the moment. Instead it’s all choreography and stylists and wigs and stuff. It’s like they’re afraid to let the music breathe. No one has their own identity like the Ronettes did back in the day. We had the skirts with the slits up the side, sort of tough, sort of Spanish Harlem cool, but sweet too. We didn’t have no dancers, we didn’t have no goddamn wigs.
I made a vow that I wouldn't be tempted by what could happen to me if I went to Europe. I thought, 'You could be absorbed in it - it's so seductive, you might lose your own search for identity.' Then, when I did finally go to Europe, I was able to resist it because I had established my own identity.
Back in the day for me was a great time in my life - I was in my 20s. Most people refer to their experiences in their twenties as being a highlight in their life. It's a period of time where you often develop your own way, your own sound, your own identity, and that happened with me, when I was with a great teacher - Miles Davis.
There are ways of angling the camera. I don't just use a tripod. The only time I did that was in '88 when I first came out of detox, I spent every day doing self-portraits to fit back into my own skin. I didn't know what the world looked like - what I looked like - so in order to fit back into myself, I took self-portraits everyday to give myself courage and to fit the pieces back together. I used a tripod then.
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
How did you get back?' asked Vautrin. 'I walked,' replied Eugene. 'I wouldn't like half-pleasures, myself,' observed the tempter. 'I'd want to go there in my own carriage, have my own box, and come back in comfort. All or nothing, that's my motto.' 'And a very good one,' said Madame Vauquer.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
Do you ever have a day like that, where you just look back and you're like 'why did today happen?'
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
It seems like bands have stopped making timeless, great rock albums like they did back in the day.
Having God as an identity marker is nothing but a label, a language, and a lifestyle. I'm a Christian. I talk like one. I act like one.
But having God as an identity changer is so much more. It's lavish abandon to who God is and who He's made me to be. Holding nothing back!
I always had a separate life than just my work. I built my own family. I have my own hobbies and interests. I have a ranch with livestock and horses. I didn't always get my self-esteem and identity from acting. I never worked unless I wanted to. I never did anything just to do it, just for the paycheck. I always did things that I liked.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
I am a bird of God's garden
and I do not belong to this dusty world
For a day or two they have put me here
in this cage of my own body
I did not come here of my own
I will not return of my own
to my own country.
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