A Quote by Ronnie Spector

I love the fact that 35 years later, I still hear my songs on the radio. — © Ronnie Spector
I love the fact that 35 years later, I still hear my songs on the radio.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.
I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I'm still really proud of Rage as much as I am of Audioslave. I still love it when I turn on the radio and I hear a Rage song. I love that.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
All these years later there's still something magical when we play. Who would've thought when we started out that 40 years later we'd still be together and people would still be interested.
I don't want to be 35 years old and still popping out songs in miniskirts and la-la-la.
I read this morning that he's [Saddam Hussein] also said the love that the Iraqis have for him is so much greater than anything Americans feel for their President because he's been loved for 35 years, he says, the whole 35 years.
My family's still loves my music. Every time they hear me on the radio they call my phone - my grandma even called me: "I hear you on the radio!" I'm like, "Grandma, you listen to that and you be in church?"
I have fallen deeply in love with songs - musical theatre songs included - over the years, and this experience has taught me to hear and honor the writer's voice in my soul.
The fact that maybe I had some success playing G'Kar doesn't guarantee me three years later that I can still do it, so I have to keep my senses alive and still be working on it.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
Years later, you can hear a song, and it brings you back right to that moment, what was happening at that time, whether it was a relationship or a difficult time, or maybe a great time in your life, and you had that album you were listening to. Twenty years later, you can put on that song you fell in love to or your heart was broken to, and you hear that song and it brings you right back there. I think music is the most powerful tool we have.
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