A Quote by Ronnie Wood
The last show we played, I was straight as a die. It did feel weird not to be hiding behind alcohol or dope, but being focused was... good.
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When you're in prison, there's no hiding. These women are not hiding behind towels and shower curtains. They go to the bathroom with no doors on the stalls. It would actually look weird, if these women were hiding.
I was hiding behind athletics and all my jockitude, so I didn't have to deal with being ostracized as the weird art kid.
For years I was so busy building walls I did not see I was imprisoning myself behind them, and did not recognize this pattern as being addiction. My addictive thinking and behavior became the bars of my cell. Denying feeling empty inside, I constantly looked for new things to acquire, people to be around, substances to take, and new goals to achieve in order to feel better about myself. Over the last four decades I have focused on healing my addictive mind and helping others do the same.
I was always apologizing for yesterday's behavior and I got tired of it. I feel it's good being straight. As I did when I first got high. It's a high to be straight because I was getting loaded every day.
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
The internet's weird. It's kind of harvesting the negativity. I think negativity has always been out there, but because people are hiding behind the screen, they feel able to express these hateful feelings they've maybe been keeping inside.
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
The true game of mixed martial arts is putting your wrestling in there, putting your striking in there, but also being deceiving - hiding behind your punches if you're wrestling and hiding behind your wrestling if you're punching. It's just a matter of blending it all together.
Some of the morays have held on. When I was in school, I remember asking the question, "Why is it that whenever I walk into a fraternity there's alcohol everywhere and there's no alcohol in a sorority? Why is it that sororities won't allow alcohol, but fraternities do? What is that?" You know, nobody had a really good answer, and that's kind of held on. It's one of the issues that's being examined now - the role of alcohol in sexual assault.
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
I was the good girl. The straight A student, on the honour roll, part of the choir... I played the cello badly. I did plays.
I always focused on being an actor. I did stand-up briefly, but I also did a lot of dramatic work. But since I've been on 'The Daily Show,' people think I'm a comedian. That's not how I see myself.
Maybe the last human being on Earth won't die of starvation or exposure or as a meal of wild animals. Maybe the last one to die will be killed by the last one alive.
I haven't had to do too many, or many explicit ones. Everybody feels weird, and everybody is trying to tiptoe around and make you think they're not there. The last time I did a love scene, I couldn't keep a straight face.
I started hiding my paintings in certain ways, like behind panes of glass for example. Then, instead of hiding them I did something quite cold and clinical: I built a wooden box, filled it with enamel paint and dunked the painting in so you could only see a suggestion of it from a controlled point of view.
I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.
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