A Quote by Ronnie Wood
I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.
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Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
As for developing a writing style'I would say that I tried to copy the pacing of the old movies I loved as a kid.
I've never really tried to copy anyone; I like to have my own style.
I've never really tried to copy anyone, I like to have my own style.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
I used to sit for hours and copy every lick on those early AC/DC and Kiss records. From there, I went on to Eric Clapton and Stevie Ray Vaughan. After a while, you kind of develop your own style.
I never tried to emulate my father. Anyone trying
to do that would be a second-rate carbon copy.
I never tried to emulate my father. Anyone trying to do that would be a second-rate carbon copy.
When I got into the Beatles, I must have only been about six or seven but old enough to take notice. We used to have an old radiogram which, for readers of a certain age, was like a big cabinet thing with a record player inside it.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
Never copy yourself, always copy someone else.
Some players like to add a little more spice to their no-limit Hold 'em game. They add a live blind, also known as a straddle, where the player to the left of the big blind voluntarily puts up twice the big blind before looking at his hole cards. The player in the straddle then has the option to raise it up when the action returns to him.
What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?
I started on acoustic guitar after I heard Leadbelly and Big Bill Broonzy.
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