A Quote by Ronny Chieng
I come from the corporate world, where everyone has a five-year plan, but performing arts doesn't work that way; you just kinda do the best job you can with the gig you've got.
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If I have any attribute that serves me well, it's I don't have a long-range plan in life. I have no idea. I just don't look ahead, I really don't. You know when people get out of college and they're talking about their five-year plan. Five-year plan? I got a plan to get to Friday.
Americans are so direct. They'd ask me, 'What's your five-year plan? Do you have a five-year plan?' I don't know what I'm having for my tea tonight let alone a five-year plan.
If you've got craft, you got game. If you got game, you can write your way in and out of anything. Writing is the best gig in the whole business, as far as I'm concerned. It's the only job where you don't have to wait for someone to tell you what to do. You just sit down and make s**t up.
Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
I've always been someone that sets achievable short-term goals. I've never been someone that's had a five-year plan, or a three-year plan. That just seems to lead to a lot of disappointment, and doesn't give you the chance to be flexible. So I've just always been someone that's sort of reassessed where I'm at, and set goals that are realistic. And luckily, I've had plenty of chances to recalibrate and adjust, and good fortune's come my way.
Like each and every year I got to think that way, anyway. I got to think about the next person trying to come in and take my job, so I got to continue to... work hard and prove myself.
I don't necessarily think that when I graduated college, I had a plan to work at an ad agency. I had a plan in terms of getting the best job I could, like, just whatever normal job.
Obviously this stuff takes a bit of planning, but I've always been someone that sets achievable short-term goals. I've never been someone that's had a five-year plan, or a three-year plan. That just seems to lead to a lot of disappointment, and doesn't give you the chance to be flexible. So I've just always been someone that's sort of reassessed where I'm at, and set goals that are realistic. And luckily, I've had plenty of chances to recalibrate and adjust, and good fortune's come my way.
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.
I've never been someone that's had a five-year plan, or a three-year plan. That just seems to lead to a lot of disappointment, and doesn't give you the chance to be flexible.
I think three-to-five years ahead minimum. I have a short-term plan, a five-year plan and a decade plan.
My first job ever was at Baskin-Robbins when I was 14, which is probably the closest I'll ever come to having a corporate job like the one I play on TV - although I do work for Universal, so I suppose that's corporate.
Work hard and follow your dreams. I work nine and a half hours a day, five days a week; it's a lot of hard work and sacrifices, but in the end, it all comes out to be worth it. If you want to get a head-start into the entertainment business, get into a performing arts school or start performing in a theater because that's one of the main places that agents and managers look for talent.
A lot of people don't realize, when you are acting in a martial arts film, you're not just performing martial arts. You're not just performing martial arts. You're actually acting as much as any other actor.
This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'
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