A Quote by Rooney Mara

People think that I grew up going to Barneys for my back-to-school clothes. I went to the Gap. We lived in a nice house on a cul-de-sac, but it wasn't a mansion. We didn't have a butler or a maid.
I grew up in a little cul-de-sac in the suburbs and went to public school. I went to Costco on the weekends.
But some things are the same. My mother still owns the house I grew up in, on what would now be called a cul de sac, but which the sign on the corner called a dead end street.
Bitterness leads nowhere. It turns back on itself. It is the eternal cul-de-sac.
It's fantastic to strive towards a nice life where you eat nice organic food and your children go to a nice school and you can afford nice clothes and nice perfume and the hypoallergenic make-up. But there's never a day goes by, and I mean this from the bottom of my heart, that I don't think about where I'm from.
I told Hugh Hefner, "I have this crazy boyfriend." And Hef was like, "You're not going anywhere with a crazy boyfriend," and so he put me in a mansion in Bel-Air with an opera singing Chinese maid, and I was driving a Bentley, and a friend of mine came by and was like, "What is going on? Why are you living in this mansion?" And I was like, "Isn't this what happens when people move to LA?
To think of abstraction as an end in itself is undoubtedly letting oneself be led into a cul-de-sac and can only lead to exhaustion and impotence.
I was the child at school in second-hand or handmade clothes and, as I grew older, I craved material wealth, a big house and designer clothes.
Don't let your church be a cul-de-sac on the Great Commission highway.
I would hate to think that some people have found themselves in a musical cul-de-sac and have ceased to explore new music, or at least music that is new to them, because they are so glued to the past.
I dread to be compared to all these directors who have a lot of spontaneous emoting and swearing in their films - that is death; it's a cul-de-sac. It doesn't lift the material at all. It's just a cliched reproduction of what we think is normal behaviour.
Obviously cheap sentimentality isn't something any good novelist wants to traffic in, but I think it's a problem if you consider it to be the most egregious of all creative sins. I think it's a problem if you consider it the thing to be avoided at all cost. I think it's a problem of you're not willing to risk the consequences of that kind of emotionalism under any circumstances. Then you wind up in the cul-de-sac of irony.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.
Now I'm taking some classes, I'm going to school for film, and I think I'm going to end up back in the industry in one capacity or another. I'm not sure where just yet. I kind of stepped away from it for a few years. I thought I was done with it. But I grew up in it. It's such a big part of my life.
Pick up your clothes. I am not your maid. How do I know this? A maid cannot kill you with a tube sock. I can.
Don't be overwhelmed by a man's fancy car, fancy house or fancy clothes. It's really the person inside the care, house and clothes that matters. By the same token, don't be underwhelmed by a less-than-fancy car, house or clohtes. Women can earn the car and house themselves, and you can always buy your man nice clothes, too.
This site uses cookies to ensure you get the best experience. More info...
Got it!