A Quote by Roopa Ganguly
Waiting is always a part of people involved in the film industry. Be it on the floor, in the make-up room or at home. All my life I have waited for a good role.
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Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
The street to my left was backed up with traffic and I watched the people waiting patiently in the cars. There was almost always a man and a women, staring straight ahead, not talking. It was, finally, for everyone, a matter of waiting. You waited and you waited- for the hospital, the doctor, the plumber, the madhouse, the jail, papa death himself. First the signal red, then the signal was green. The citizens of the world ate food and watched t.v. and worried about their jobs or lack of the same, while they waited.
When I get home I'll still have to unload the dishwasher and clean my room. Last night my mom got so fed up of my messy floor in my room she picked it all up off the floor and put it on my bed so I would have to clean it up before I went to bed!
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
Are people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
There are many times in my life, when I could've thrown in the towel. Many times in my life when I was on the floor. And when you're on the floor, never allow anybody to pick you up. It doesn't matter how long you stay there, make sure you pick yourself up and dust yourself down. Whatever happens, whether you go home today or you don't go home today, that's irrelevant. What's relevant, is you take the knowledge from the experience and you grow as a person.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.
I find myself apologising for not being a proper actor. I never intended to be involved in the film industry and still do feel that, with the exception of a couple of brief skirmishes with the film industry.
My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.
It's easier to greenlight your own films when you're not surrounded by other people aspiring to make films. You have to work a little harder and rely more on yourself and your collaborators and the real relationships you have. There are so many hypotheticals that dominate the industry, and everyone's always waiting for someone else to tell them when to make a film and write a check and sign the talent.
The problem with film is you never know when you're going to be able to make a film so you can't have people waiting around for you. Sometimes it's fun to work with the same people and work with new people and mix it up.
What can I expect here? You know the fairy tale about the man who died, don’t you? He was waiting in Eternity to find out what the Lord had decided to do with him. He waited and waited, for one year, ten years, a hundred years. He begged and pleaded for a decision. Finally he couldn’t bear the waiting any longer. Then they said to him: ‘What do you think you’re waiting for? You’ve been in Hell for a long time already.
It's an interesting thing when you're casting a film - especially when you're trying to discover someone - you're waiting for someone to step into the room in an audition process and claim the role.
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