A Quote by Roopal Patel

Calvin Klein and Donna Karan were the big American names at that point in time, Helmut [Lung] was the cool kid on the block and you had Marc Jacobs and John Galliano who starting the revival of the old fashion houses.
Fashion Week was at Bryant Park and there were a few shows like Marc Jacobs, or when Alexander McQueen came to town, that were offsite, Helmut [Lung] was offsite, but it was very intimate. It wasn't the way it is today where you have a thousand people at the show. You may have had 200 to 250 and it was really the trade and you know fashion greats.
I have been a muse to Mr. Saint-Laurent, Valentino, Calvin Klein, Donna Karan, Versace.
I pledge to support the American workforce by wearing only American designers: Calvin Klein between Memorial Day and Labor Day, Donna Karan the rest of the year. Unless I wake up and the day is screaming for me to put on a bikini for my fellow Americans. Country first.
Marc by Marc Jacobs was my favorite. The stage was so big, and there were so many people there. I had very bad vision during the show because I forgot to put in my contacts, but I didn't fall or anything.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
I think that some people have wonderful spots. I think that Karl Lagerfeld has a wonderful spot designing for Chanel. They really just let him go. I think John Galliano is a huge talent. Marc Jacobs is also a huge talent - and a very interesting one to me.
I am Marc Jacobs by birth, but we are Marc Jacobs by the company that we built.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
I wore the Marc Jacobs dress, so I love Marc Jacobs. He has a vintage flair. But I've always worn a lot of vintage stuff, so it hasn't been a lot of designers. If I see something that I like, I just buy it.
I also miss the support that I had of so many people. You know I'm a very Ma and Pa operation right now, and I was used to having everything working for me. It was a similar situation when I left Anne Klein and started Donna Karan. All of a sudden I was working in my apartment and it was, "Oh my god, what am I doing?"
When I hear the words 'New York Fashion Week,' I immediately think of Marc Jacobs.
I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
I have a fashion degree and worked as a buyer for Calvin Klein and Macy's before I had kids. I've always worked. I love to work. But my family comes first.
I'm very interested in fashion shows. For me they're at the center of everything. What happens on the side, that's the energy - it's fashion week - but fashion shows are at the heart of it. I function more like a stylist. I'm inspired, and then I try to find it on the street. What's great about a blog is that you can do completely crazy things like take the moustache shoes Marc Jacobs did for Louis Vuitton for spring and talk about what that has to do with moustaches. In fashion, what people are looking for is inspiration and new ideas all the time.
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