A Quote by Rory Gallagher

I kept playing blues-based music all during the 1980s, and it was tough. — © Rory Gallagher
I kept playing blues-based music all during the 1980s, and it was tough.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wider public who hadn't really heard it.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
We played a lot of live shows, we just kept plugging away and playing music and people kept coming back.
I think the important thing being a wife of a president is to know who you are and find a cause that corresponds to you. The truth is, it's hard to keep a job in that position. I kept playing music because no one could stop me from playing music at night.
I was into playing American music, especially the blues.
When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is; it all starts there. Because after that, it's music of the moment.
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
What you have to understand is that blues... it's in a line from the oldest forms of African music. If you're playing it like it's an echo of the past, it would be a lot less exciting, but this music lives today.
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