A Quote by Rory Gallagher
Basically, I like anything with guts - Lead Belly, Bill Big Broonzy, Johnny Winter, the Stones.
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I started on acoustic guitar after I heard Leadbelly and Big Bill Broonzy.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.
Me and Kurt Cobain were both listening to a bunch of Lead Belly and diggin' it. We thought, 'Let's do an EP of all Lead Belly songs.' We did a couple, and both of us were like, 'Nah, this is a bad concept.' We set it aside.
I like Johnny Carson because he doesn't hold anything back when he's going for a laugh. Johnny will do anything, say anything, to get his laugh.
Johnny Nitro was like Johnny Hollywood, Johnny Danger, Johnny Blaze... it's just an obvious stage, Hollywood name. But John Morrison is more like a real person.
My brother John loved Big Bill Broonzy, and from that, Angus and I discovered Muddy Waters and Buddy Guy. We could relate to what they were singing about. When a family uproots itself and moves to the other side of the world because your dad couldn't get a job, you didn't feel part of the system, if there even was a system.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
Everybody is always raving about the Rolling Stones, saying, 'The Stones this, and the Stones that.' I've never cared for the Stones. They never had anything to offer me musically, especially in the drumming department.
My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
Manchester is the belly and guts of the nation
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
I was a big fan of the more Mexican-based wrestlers when I started watching WCW, and I saw guys like Silver King, Eddie Guerrero, and Rey Mysterio. And where I come from, we have this European heritage with World of Sport with guys like Johnny Saint, Johnny Kidd, 'Rollerball' Mark Rocco, Robbie Brookside.
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