A Quote by Rory Kinnear
I think having a dispassionate eye is a good way of making art. When you don't know the structures of a place, you are unencumbered.
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The internet has extended the possibility of making art to more people, and particularly of enabling it to be seen by others. I am sure the internet is having a profound impact on art, particularly those who have grown up with it, but making good art will remain as difficult (and as easy) as it ever was. Having a lasting impact may become more not less difficult.
I've often called the lighting for the stage the "music for the eye", because it has the same way of making an atmosphere, making a landscape, changing fluidly from one place to another without seeming effort.
I think that [having not a lot of time sweating the details] can be both a strength and a weakness. I think it depends on how [Donald Trump] approaches it. If it gives him fresh eyes, then that can be valuable. But it also requires you knowing what you don't know and putting in place people who do have the kinds of experience and background and knowledge that can inform good decision making.
L.A. has been really inspiring towards me for the last one and a half years. There is a lot going on here now. I've been here before, when I was younger, but I've never had this feeling about it. There are a lot of creative things bubbling in the atmosphere. It's so far away from everything else, which makes it a strange, exotic city. When you want to discover yourself, I think this is a good place to be. You don't feel like you are in a real place and I think that can be very good for making music or art.
When I concentrate, my face is deadpan and I can see there is a coldness there - when I'm making business decisions I know I can be quite dispassionate.
That's what it's all about - making art is making something live forever. Human beings especially - we can't hold on to them in any way. Painting and art is a way of holding onto things and making things go on through time.
Having a love ethic, as opposed to simply being in love, or having a lover, means love is the way you actively choose to engage with the world - whether you're in a relationship or not. It's not about disappearing into existing structures, norms, and privileges. It's precisely about breaking with the existing structures, values, and norms that prohibit real love in our culture.
I think your ego gets in the way of making something good because it kind of blinds you from the actual art.
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a conversation about art history. I actually really enjoy looking at broader popular culture.
I live for art. I love entertaining people, making them smile and think. I love to know that a little piece of what they see, read or what they listen to is something that they can think about or see the world in a different way. Art is never-ending and I’d like to leave something that survives me when I’ll die.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
I think making art is something where you think you know, you also know you don't know and you hope - all these things are in play all the time. I think it's what makes the excitement of creativity for the artist.
The most frustrating things is when you read something that has so much potential, but there are other little red flags where you think, I don't know that I would see eye-to-eye with the people making this film. And that is the worst environment to enter, and absolutely not worth the risk.
You can't be in the public eye without making mistakes and having some regrets and having people analyze everything you do.
Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.
I think that the ideals of youth are fine, clear and unencumbered; and that the real art of living consists in keeping alive the conscience and sense of values we had when we were young.
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