A Quote by Rory Kinnear
When you're 15, you're not really talking about the vicissitudes of fate and failed love and poetry and swordfighting - not a lot is necessarily touching on your own personal experience.
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I remember talking to comedian Jimmy Pardo about his experience waiting to hear about his own pilot, and we both agreed on one thing: When you can't control your showbiz fate, you can at least control the amount of ice cream you're eating. And if you're like us, it was a lot.
I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.
If we think about folk forms, they belong to disenfranchised people, people who have not been allowed access to the poetry of literature or the leisure time that comes with the pursuit of poetry. Instead, this is ceremony. This is a highly charged way to create a sacred space that isn't necessarily about God, but is about human experience at its most profound levels - whether that's love or grief, separation, or homeland. All are altered states.
The care leadership strategy is simple: be a model. Commit yourself to your own personal mastery. Talking about personal mastery may open people's minds somewhat, but actions always speak louder than words. There is nothing more powerful you can do to encourage others in their quest for personal mastery than to be serious in your own quest.
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
If you are blessed with great fortunes. . . you may love your fate. But your fate never guarantees the security of those great fortunes. As soon as you realize your helplessness at the mercy of your fate, you are again in despair. Thus the hatred of fate can be generated not only by misfortunes, but also by great fortunes. Your hatred of fate is at the same time your hatred of your self. You hate your self for being so helpless under the crushing power of fate.
I love kids that come to shows, little kids coming up to you with braces; like, some kid came up to me in a parking lot outside a show in Santa Cruz - he was about 14 or 15 - and he said, 'Y'know, I love 'The Basketball Diaries,' but I hope your next book of poetry isn't gonna be as academic as 'Living at the Movies' was.'
I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.
I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.
Over the next four days, I want you to write about your deepest emotions and thoughts about the most upsetting experience in your life. Really let go and explore your feelings and thoughts about it. In your writing, you might tie this experience to your childhood, your relationship with your parents, people you have loved or love now or even your career. How is this experience related to who you would like to become, who you have been in the past, or who you are now?.
I'm very aware that the future of any film is not necessarily the theatrical experience, it's the home video experience because that is the one that is going to be presented for years to come. So you want to make sure that you push your movie, but you're talking about a movie that you finished months ago. And your head is trying to move into new grounds and you're still pushing for the other one. That's the tough element of it.
When it came to using elements of your personal life in your work, my mother was the master, or the mistress. There were three or four songs she wrote about my father - songs about failed love.
It was one of the first things I did on my own; I worked at McDonald's, raised the money and did it. I'm really, really passionate about pro-choice, because I wouldn't be here talking to you right now if I'd had a kid at 15.
Words may help you understand something, but experience allows you to know. Never ever trade your own experience for someone else's words about anything that is really important... like God, for instance, or Love, or what is true about another.
If there's something you want to say or talk about, then that's what rap is all about - talking about your own experience.
Being in the public eye, you can't really avoid a lot of questions. A lot of questions are being thrown at you, whether it's about your personal life or your personal beliefs, and I'm happy to answer them all.
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