A Quote by Rory O'Malley

I obsessively listened to all of James Lapine's shows as a child growing up in Cleveland and had every cast recording and every VHS tape of 'Into the Woods' and everything that James had done that I could get my hands on.
My dad listened to a lot of James Taylor when I was growing up. We had a couple of his cassettes in the car, and we'd go on a lot of long family car trips. It was either strange musicals or James Taylor - or Whitney Houston. It was quite the combination there.
Taylor was named after James Taylor and claims that she knows all the James Taylor songs, and I'm a huge fan of James Taylor and know all his songs, too. My dad told me that if I ever met Taylor Swift, I had to tell her that I know every James Taylor song. We started naming albums, and we were both shouting them out.
I feel sorry for James Blunt, he has to wake up every morning and think 'Oh my God, I'm James Blunt, what have I done?'
James Woods is great. I actually did a movie with James Woods in 2000: 'John Q.'
I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
When you mention to people growing up in Cleveland they bring up the river catching on fire, or LeBron James leaving, they have these references, but no one imagines ending up there.
I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
I wanted to become a better entertainer, and I learned from my brother James Andrews. And I've been studying some tape of James Brown and different people.
I tape every game I can get my hands on. Every game that's on TV, I tape it. My daughter, Terry Hill, lives in Eureka, and she has a satellite dish, so she tapes what I can't get. I try to keep up with what everybody is doing, so if the phone rings, I'll be ready.
I started reading. I read everything I could get my hands on...By the time I was thirteen I had read myself out of Harlem. I had read every book in two libraries and had a card for the Forty-Second Street branch.
Most importantly for me growing up, it was a spirituals, it was a gospels, it was James Cleveland, Aretha Franklin, Marion Williams; and then it was Curtis Mayfield - The Main Ingredient, The Whispers, Black Blue Magic, James Brown, Aretha Franklin, Luther Vandross - that music helped me preserves my sanity, help me preserve whatever dignity I was able to preserve, helping to keep going. It was a source of tremendous strength in my life.
I had been creating music on tape that was to be listened to as a recording, rather than through performance.
Growing up, I listened to a lot of jazz and blues records - John Coltrane and Etta James. I was also really into Radiohead and the BeeGees.
I loved wrestling when you had to get a VHS tape from a strange.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
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