A Quote by Rory O'Malley

It's definitely a high when you walk onstage and everybody starts applauding before you even say anything. — © Rory O'Malley
It's definitely a high when you walk onstage and everybody starts applauding before you even say anything.
As long as I can walk and talk, I'll try almost anything. I say "almost" because the high wire is definitely out.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine
I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.
My day typically starts with an early-morning walk through Central Park. It's a nice moment of calm before my routine starts.
A lot of people will say different stuff like, 'You can't do it.' They'll say no before I even say anything. You just have to believe in yourself, and there's a reason they might say no, because they probably haven't seen it before.
In elementary school, we all say, 'If you don't have anything nice to say, then don't say anything at all.' In high school, we should say, 'If you don't have anything nice to say, shut your mouth.' So that's what I'm telling high schools all around the world.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
When people asked me, "Do you get high to go onstage?" I could never understand the question. I mean, I'd been high since eight that morning. Going onstage had nothing to do with it.
The people are applauding you because none of them understands you and applauding me because everybody understands me.
The tough thing about adulthood is it starts before you even know it starts.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
Maybe some people got sick, but what I saw was people applauding the effects. When the helicopter zombie stood up, people applauded. When a guy gets the top of his head lopped off, are they applauding that some horrible thing happened to a person, or are they applauding how it was technically pulled off in a realistic way?
With all the travel we're doing to cold-weather cities, your mind definitely starts to wander. It gets you away from the game. Even when you arrive in a city, you're tempted to just sit in your hotel and rest. Sometimes it's nice to just get out and walk around, to see what's there.
I don't really have any kind of rigorous or definite routine before I go onstage. I like to eat at least an hour or two before I go on. If I can't do that, I just wait until after. I try and drink lots of water before I go onstage.
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