A Quote by Rory Stewart
I don't know much about Britain. I've been working overseas for most of my adult life. So I'd like to see what sort of problems there really are here. It's a question of asking, 'Where are we going, how purposeful are we?' And see if there's anything that can be done to find possibilities for change.
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I've been able to see some very impressive people that are in politics, and I've been able to see a lot more people that are much less impressive that I don't know if I'd want to spend my life working with. When I see sort of how the sausage is made, it's not very pretty.
To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
Nothing paralyzes our lives like the attitude that things can never change. We need to remind ourselves that God can change things. Outlook determines outcome. If we see only the problems, we will be defeated; but if we see the possibilities in the problems, we can have victory.
We've got to get back on track to working with them. Because if I and my colleagues are going to continue to attract inward investment from overseas - you know particularly from the big Asian countries - they see Britain as a gateway to Europe. They don't want any doubts cast upon that.
I'm trying to find peace in the world, as it is. I'm feeling this sort of slow stripping of my mind, like the layers of an onion. I'm starting to see through all these little structures that have been imposed on me by my society that tell me how I'm supposed to view my life and the world. What I'm supposed to find to be important and what is not. Sometimes you see through so much of it that you feel like you're just a leaf blowing on the wind.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
I really don't worry too much about what I see through the viewfinder, at least not at that point, especially if I'm using a flash because I don't know what it's going to do. I just see vague potentiality. It's really working with a set of attributes that will hopefully interact in an interesting way.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
In short, we needed to shift our thinking and teaching about values-driven leadership from asking the question "What is the right thing to do?" to asking and answering the question "Once I know what I believe is right, how do I get it done?"
Nothing's been changed overnight. It's like watching your cat grow: you see it every day, so you don't really see it change, you wake up one day and it's a bloody great thing. Your friends come round who you haven't seen for a couple months and they're like, "Oh my god, your cat's grown so much again." And I'm like, "Has it?" But when you're living it... I just find that my life has subtly changed bit by bit, so I don't ever really notice it too much.
I know how bad Albany is. I know it better than most. I understand why people are angry. I'm angry. The question is going to be, how do you change Albany, what is the plan for change, and then how do you actually get it done?
I've been on shows that are very comedic and happy, and you really only get to see one side of my personality. They're not shows about my life or my music, or my struggle or anything like that. They're shows where you pretty much see me laughing and smiling all the time.
When I see the Confederate flag, I see the attempt to raise an empire in slavery. It really, really is that simple. I don't understand how anybody with any sort of education on the Civil War can see anything else.
There are those people who don't want change. Well there needs to be a coalition for change amongst the hard-working mainstream majority of the country to crack on and sort out Britain's problems.
One of the things you learn when you go overseas is how much a lot of the countries overseas really just like to enjoy life.
Addiction is more malleable than you know. When people come to me for therapy, they often ask me whether their behavior constitutes a real addiction (or whether they are really alcoholic, etc.). My answer is that this is not the important question. The important questions are how many problems is the involvement causing you, how much do you want to change it, and how can we go about change?
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