A Quote by Rosalia
When I was a teen, I would draw a really, really long line around my eyes with eyeliner, like Lola Flores.
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When I was 15, 16, I started going to a studio and my biggest inspiration were women, like Lola Flores from Spain or Janis Joplin or Patti Smith.
My real last name is Flores, and Milian is actually my mom's maiden name. So it's not made up, which is cool; it runs in the family. And it actually worked out better for my career to have the last name Milian, because Flores kept me in a little box, and no one really associated me with the last name Flores.
Both liquid and pencil eyeliner can be used on the top and bottom eyes. I then use eye shadow over the pencil to blend evenly to ensure there's no skipping and patchiness. With pencil as a base, it's easier to get a seamlessly blended effect. If a stronger line is desired, trace over the pencil line with liquid eyeliner.
You'll never see me with a precision flick of eyeliner. Messy eyeliner became my thing by accident rather than design. If you can't get it straight, then just work it in around your eyes.
I have no prejudice about which music is better. I listen to Vivaldi. I like Nick Cave. I love Travis Scott, James Blake, Lola Flores. Music can serve many functions. And so I listen to everything!
I like science and I love gym. Oh, and I like art, but I'm really bad at it. I'm just a terrible drawer. I can't draw a circle. Even with a ruler, I can't draw a straight line.
If you find it difficult to draw a neat line with an eyeliner pencil, start with a big, thick, wonky line and then reduce it with eye makeup remover. This is serious advice. I do this every single time I put makeup on.
I really like Pam Grier's whole 'Coffy' aesthetic. It's just natural. It's not even anything that they were overdoing back then. I really like that natural beauty kind of thing. But at the same time, I really like thick, winged eyeliner.
My technique of working is I go around with my iPhone and with my sketchbook. I take thousands and thousands and thousands of iPhone photos. I also draw from life. I can draw really, really, really fast. It's a way that I build a rapport with people.
When the writing is really working, I think there is something like dreaming going on. I don't know how to draw the line between the conscious management of what you're doing and this state. . . . I would say that it's related to daydreaming. When I feel really engaged with a passage, I become so lost in it that I'm unaware of my real surroundings, totally involved in the pictures and sounds that that passage evokes.
I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men. But where I draw the line, what I absolutely won't do, is the lady who plays bridge in the afternoon!
Then I say, "Let's go and brush our teeth." So Lola says, "But Charlie, I can't brush my teeth because somebody is using my tooth." "But who would use your toothbrush?" I ask. Lola says "I think that lion. I saw a lion with my toothbrush and now he's brushing his teeth with it." "But it isn't this your toothbrush Lola?" "Oh," says Lola, "he must be using yours.
For my eyes, I wear a very thin line of black eyeliner just to lengthen the eye, and I almost never wear mascara; I like natural lashes.
When Dickens arrives in the United States in November of 1867, he's already in questionable health. So by the end of the trip, he was really in failing condition, and really, he would never recover completely after this point, and you could sort of draw a straight line to his ultimate decline and death.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
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