A Quote by Rosalia

For me, music is about experimentation. — © Rosalia
For me, music is about experimentation.
Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.
As we thought about how to help portfolio companies grow and scale while simultaneously supporting corporate discovery and experimentation, it became clear that we would need to collaborate with a technology infrastructure provider like AWS to help us build a platform for experimentation.
Risk in art is experimentation. There is no sorrow in self-driven experimentation.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
I would love to compose more fantasy music, whether it's for a film or a game. That genre has so much opportunity for harmonic experimentation, not to mention all the interesting instruments that become available when composing music for alien species and other worlds.
We have three approaches at our disposal: the observation of nature, reflection, and experimentation. Observation serves to assemble the data, reflection to synthesise them and experimentation to test the results of the synthesis. The observation of nature must be assiduous, just as reflection must be profound, and experimentation accurate. These three approaches are rarely found together, which explains why creative geniuses are so rare.
Rock 'n' roll is about music. Music. Music. Music. It's not about you, it's not about me, it's not about Oasis. It's about the tunes.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
One of the reasons I'm not so keen on people calling me an "experimental" writer is that it suggests the work is about the experiment, when it's always the opposite - any "experimentation" is dictated by the material.
There are three principal means of acquiring knowledge... observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination.
I think that American music, for me, it's a synthesis of a lot of different things. But for me growing up in North Carolina, the stuff that I was listening to, the things that I was hearing, it was all about black music, about soul music.
I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.
There are different people who got me into music, but what I liked about Beethoven is that even when I didn't understand it or it was too long, there's still something about it that drove me to it. Then it got me excited about actually learning music, like a theory of it.
I don't really write music in the traditional sense of chorus, verse. It's more experimental sounding. The process comes from an experimentation with noise.
I've grown so much in the music industry. From 'GoldenHeart,' it was just about me and the music and me in this dream. With 'BlackHeart,' its more about me and who I am and what role I play in my own life and in the business.
I think experimentation with other stuff is great. My real focus has been more-so trying to create a sound that I can build upon and get really comfortable with. I think almost everything is experimentation 'til you find what it is that your sound is.
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