A Quote by Rosalia

Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.
I feel like flamenco is part of this Latin music culture. It's from Spain, but flamenco has always been connected to Latinoamerica.
I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player.
Flamenco was probably the first music that I may have heard as a baby, because my father played flamenco.
My music pulls from flamenco plenty; it wouldn't make sense without that genre. I also have a lot of love for flamenco and I'm very happy if I can be an ambassador for it.
The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.
I'm always excited to share my passion about flamenco, so other people can discover this music - which is amazing - and discover the culture.
I was in Paris last year, where there's a great appreciation of many different aspects of African culture and of black culture. The music... the art... whatever... And I kind of went with that.
British culture loves the image of itself in the mirror; it doesn't want to look deep inside, behind the eyes, inside the brain, inside where those shivers and nightmares lie.
Robby had a flamenco and folk music background. I was so enamored with watching Robby's fingers crawl across the flamenco guitar strings like a crab.
A lot of native culture has been destroyed. So you already feel lost inside your culture. And then you add up feeling lost and insignificant inside the larger culture. So you end up feeling lost squared. And to never be recognized, to never have any power, you know, other minority communities actually have a lot of economic, cultural power.
It seemed [there are] musical nodes on the planet where cultures meet and mix, sometimes as a result of unfortunate circumstances, like slavery or something else, in places like New Orleans and Havana and Brazil. And those are places where the European culture and indigenous culture and African culture all met and lived together, and some new kind of culture and especially music came out of that.
I grew up with a strong Spanish influence. I tried to learn flamenco when I was younger. But it's like my teacher said: 'It takes a lifetime to learn flamenco.'
We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it" the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't.
As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass.
For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage.
I have always been very excited about red, it's one of my favorite colours. It represents strength and flamenco culture.
This site uses cookies to ensure you get the best experience. More info...
Got it!