A Quote by Rosalia

I always say, there's no music genre better than another. — © Rosalia
I always say, there's no music genre better than another.
On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?
No genre of music is better than another, whether it's country, hip-hop, trap, classical, whatever. It's all music.
Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
Hip-hop is a beautiful thing. I think that the music genre itself has created more millionaires than any other music genre before it, especially in our community.
Our whole mission is about breaking the rules. Cibo Matto doesn't fit into any one genre and when people ask about what kind of genre is it, it's hard to say. We try to do a lot of stuff. People like to categorize, basically. So we always have trouble giving an answer. Pop music has a lot of different elements of music. Even polka too.
Music lives in cycles. One day, one type of music is on top and the next year another genre is on top. Either the fans love you or they jump from one artist to another.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
I’ve never used music to sell my faith and I’ve never used faith to sell my music. I think they are both intrinsic parts of who I am. We’ve always tried to define our music outside of genres…what is a genre? A genre’s a cage or a box and for us our music is best with fangs and some claws running free in the wild.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
I know it's dangerous to say you want to do something different with a genre because people always take that as an insult to the genre.
Great music is the only genre that actually matters, and the members of that club are far more similar to each other than they are to any genre they might be commonly associated with.
It's always better to offer variety to the audience rather than singing just one kind of genre.
When people say, Your music was the music of the Seventies, I say, So was discoteque. The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
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