A Quote by Rosalind E. Krauss
Photographic cropping is always experienced as a rupture in the continuous fabric of reality.
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... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
All resistance is a rupture with what is. And every rupture begins, for those engaged in it, through a rupture with oneself.
Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality.
Reality is not meant to be only creedal, though the creeds are important. Reality is to be experienced, and experienced on the basis of a restored relationship with God through that finished work of the Lord Jesus Christ on the cross.
In Rwanda, we have a society that has experienced a very serious rupture and you can't expect all of a sudden that things will be perfect. Even so: You cannot find any more areas where any segment of the population would be afraid to go, like we used to have before. But there is always a lot more to do.
Knowledge is a continuous fabric, in which ideas are connected to other ideas. Reason-free zones, in which people can assert arbitrary beliefs safe from ordinary standards of evaluation, can only corrupt this fabric, just as a contradiction can corrupt a system of logic, allowing falsehoods to proliferate through it.
[Fiction and poetry] are medicines, they're doses, and they heal the rupture that reality makes on the imagination.
I wasn't a girl who grew up wearing dresses, but I was always attracted to fabric. When we'd go to a shop, the fabric I'd pick was always the most expensive. It was always the silk or cashmere. It was something in me, that desire to choose quality. It's the same now.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.
I can transform my entire life. The universe is an unbroken, continuous fabric within which I can create and intend my destiny.
In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them.
The resulting prints of 'History's Shadow' make the invisible visible and express through photographic means the shape-shifting nature of time itself and the continuous presence of the past contained within us.
Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the rituals of the arriviste. Inasmuch as one of those rituals consists of the establishment of suitable ancestry, a search for distinguished bloodlines, it inevitably happens that photographic history and criticism are more concern with notions of tradition and continuity than with those of rupture and change.
I think you are a product of the environment you surround yourself in, and everything you've experienced is a part of you and the fabric you are in.
We are individual designs in the fabric of life. We have our own integrity, but simultaneously we are part of the fabric, connected to and defined by the whole. Community is the human dimension of that fabric.
I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.
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