A Quote by Rosalind Russell

The only man who could make a love scene comfortable was Clark Gable. He was born graceful, he knew what to do with his feet and when he took hold of you, there was no fooling around.
Who could quarrel with Clark Gable? We got on well. Whenever anyone on the set was tired or depressed, it was Gable who cheered that person up. Then the newspapers began printing the story that Gable and I were not getting on. This was so ridiculous it served only as a joke. From the time on the standard greeting between Clark and myself became, 'How are you not getting on today?'
Clark Gable was the only real he-man I've ever known, of all the actors I've met.
It was the joy of your life to know Clark Gable. He was everything good you could think of. He had delicious humor, he had great compassion, he was always a fine old teddy bear. In no way was he conscious of his good looks, as were most other men in pictures at that time. Clark was very unactorly.
Casey knew his baseball. He only made it look like he was fooling around. He knew every move that was ever invented and some that we haven't even caught on to yet.
Casey (Stengel) knew his baseball. He only made it look like he was fooling around. He knew every move that was ever invented and some that we haven't even caught on to yet.
I have never met a man more shy than Clark Gable. He was so shy, you couldn't make him talk.
Most mustaches lie waiting for some Clark Gable or Tom Selleck to fix them in the mind. The greatest are identified with a single man, a bad man, usually, who so wrapped his identity with a particular configuration of facial hair that the two became inseparable.
When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never!
I'm just glad it'll be Clark Gable who's falling on his face and not Gary Cooper.
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
Mr. Cooper said to me that he had an idea for a film in mind. The only thing he'd tell me was that I was going to have the tallest, darkest leading man in Hollywood. Naturally, I thought of Clark Gable.
Clark Gable seemed fascinating all his life because there wasn't so much information about him. Today, you're on television all the time.
I was a heavy heart to carry My beloved was weighed down My arms around his neck My fingers laced to crown. I was a heavy heart to carry My feet dragged across ground And he took me to the river Where he slowly let me drown My love has concrete feet My love's an iron ball Wrapped around your ankles Over the waterfall
I was very young when I saw 'Gone With the Wind,' but I fell in love with Clark Gable. And when I got to work with him, I couldn't believe it. I still had a crush on him. He was quite an old man by then; he must have seen that I was head over heels, even though I was married.
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
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