A Quote by Rosanne Cash
The ephemeral nature of live performance is the part I love most - it's a monk's sand painting, carefully constructed, then wiped away in an instant.
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How massively the mountains stand, while low to the ground the sand blows. The sand blows on and on. And then there are no mountains, none at all, the sand has kissed and whispered them away. And still, the sand blows on.
When you're on the street, and, as you're walking along, a woman turns the corner going away from you, and for an instant you have a glimpse of the side of her face, of the gesture of her shoulder, the shape of her body, and you are committed... You are in love for an instant, or your senses are rocked for an instant. That person then disappears and is lost to you forever.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.
I realized that most people waste their lives earning a living, and I wanted to live. I love painting, so I keep painting. That's how I became an artist.
In endowing us with memory, nature has revealed to us a truth utterly unimaginable to the unreflective creation, the truth of immortality....The most ideal human passion is love, which is also the most absolute and animal and one of the most ephemeral.
I wiped away the weeds and foam, I fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore, With the sun and the sand and the wild uproar.
I don't mean to give performance art a bad name or anything; I think there are people that are legit. I think I just got frustrated painting - I love painting; I actually tried to be an artist, but it's sensitive, and then you have an object. And what do you do with that object? And then repeat and repeat, blah blah blah.
Long since, the desert wind wiped away our footprints in the sand. But at every second of my existence, I remember what happened, and you still walk in my dreams and in my reality. Thank you for having crossed my path.
I'm most passionate about anything to do with nature and the simple things. I love taking walks with my family or my friends and seeing nature. And that's why I love living where I live because I live up in the desert area in the mountains.
Quality is the result of a carefully constructed cultural environment. It has to be the fabric of the organization, not part of the fabric.
If God so precisely and carefully and lovingly and amazingly constructed a mind-boggling habitat for his creatures, then it would be natural for Him to want them to explore it, to measure it, to investigate it, to appreciate it, to be inspired by it - and ultimately, and most importantly, to find Him through it.
The truth has not so much set us free as it has ripped away a carefully constructed facade, leaving us naked to begin again.
Sometimes you look at a painting and certain parts are so beautiful. You say, "Wow, this is fantastic," but 10 minutes later you most likely have to kill it. Every painting wants to live. You want to build and bring this type of painting to the climax. When it's at the highest point, you want more. And then if you want more, you might destroy it. So you take a chance.
I live in Nashville, and I love to sing. When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful, but I do live in Nashville. I live the most boring life away from what you see me on camera doing.
I try desperately to conquer the transitory nature of my existence, to trap moments before they evenesce, to untangle the confusion of my past. Every instant disappears in a breath and immediately becomes the past; reality is ephemeral and changing, pure longing.
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