A Quote by Rosanne Cash

While visiting places in the South with my heart really open, I realized how important people in certain geographical spots were to me, what they symbolize, how I'm still connected to them and how much they are a part of my ancestry, both musical and real.
I realized a long time ago, with a certain amazement, that no mattter how important something is in your life, no matter how huge it is, how much space it takes up in your heart and in your thoughts, unless you mention it to other people, they have no idea it exists.
I really believe in the way the energy can consolidate in certain geographical spots. You can find it in a lot of different places, beautiful natural spots, or if you look at Islam or Judaism or Christianity, these ideas of holy places.
The thing I've most realized is that when people come up to me and tell me how much my story means to them, how much it was inspiration for them to see me fight through and push through with my career, I realized love is real. And there's no greater feeling in this world, to give back and touch people.
But what I realized when I was looking back at them was that no matter how different they are, they're still coming from me, and they're still coming from my brain and my set of obsessions. I think that no matter how different I tried to make them, there were just these certain questions that I just kept circling back to as I was writing. I think they were the ones I was really swept up in in that decade.
I mean, I understand that because they're disadvantaged that they deserve their own parking spots, but do they have to make them so wide? I never understood how these people were allowed to drive cars but they get these really neat chairs with wheels and they're still not happy, so instead of parking their wheelchairs in the designated spots, they upstage us normal people and get the best parking spots with vehicles that are clearly too sophisticated for them to be handling. Still, you should smile at a cripple, because it's the only bit of happiness they'll ever have.
I even have some stories of people telling me how that song has changed their life, how it got them through hard times, how it saved their life when they were on the verge of thinking of doing the worst. That just really amazes me, that that movie [Romeo + Juliet] and that part in the movie are still having a huge effect on people's lives today.
I wish the whole day were like breakfast, when people are still connected to their dreams, focused inward, and not yet ready to engage with the world around them. I realized this is how I am all day; for me, unlike other people, there doesn't come a moment after a cup of coffee or a shower or whatever when I suddenly feel alive and awake and connected to the world. If it were always breakfast, I would be fine.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
I believe that there is an important part of every human being that is defined in terms of their significant other: how we choose our partner, and how we behave when we are with them. And that is the part that interests me. How that part of the personality is forged doesn't just interest me, it fascinates me.
Addiction is more malleable than you know. When people come to me for therapy, they often ask me whether their behavior constitutes a real addiction (or whether they are really alcoholic, etc.). My answer is that this is not the important question. The important questions are how many problems is the involvement causing you, how much do you want to change it, and how can we go about change?
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
I also think it's important for us to hold our elected officials accountable and part of how you do that is simple, call them and let them know when you agree or disagree with what their decisions are and suggest how they should come out on certain legislation that important to you.
On the surface, Wonder Boys seemed like such a departure from L.A. Confidential - it's funny, it's contemporary, and so on - and yet at a certain point, I had a feeling that reminded me how I felt when I was shooting L.A. Confidential. I analyzed it for a while, and thought about how emotionally involved I was with the characters. Then I realized that in both movies, there are three main male characters and one female, and all of them are struggling to figure out what they're doing with their lives, independent of each other.
The first wave of the Internet was really about data transport. And we didn't worry much about how much power we were consuming, how much cooling requirements were needed in the data centers, how big the data center is in terms of real estate. Those were almost afterthoughts.
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
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