A Quote by Rosanne Cash
Like Thornton Wilder said, time is not a river, but rather a landscape that you step in and out of. I've always found that true of creative work, and I've heard so many songwriters and writers in general say the same thing... When you're going into the realms of your self and trying to tap into the mystery of this creative source, linear time kind of falls away.
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Till the time I found a creative outlet, I was trying to be extra creative at business, which would always put me in a situation of conflict with other stakeholders. The moment I started writing, my creative impulses were finally channelised.
Look at the great athletes, musician, artists, and writers. They all tap into a source. Some call that source God or soul or spirit or consciousness. The Seven Faces of Intention: creativity, kindness, love, beauty, expansion, abundance, and receptivity. And all seven are expressions of what I imagine that source to look like. The very fact that we exist is proof to me that the nature of that source is creative at its core. And there isn't a person reading this who does not have a gnawing sense inside that there's something they're here to do, something creative.
With the word creative we stand under a mystery. And from time to time that mystery, as if it were a sun, sends down upon one head or another, a sudden shaft of light - by grace, one feels, rather than deserving, for it always is something given, free, unsought, unexpected.
I don't like to do things the same way every time. You always want to be evolving as a composer, and if your creative process is exactly the same each time, then how do you expect today's work to be any different from yesterday's?
A mystic doesn’t say “I believe.” They say “I know.” A true mystic will ironically speak with that self-confidence but at the same time with a kind of humility. So when you see that combination of calm self-confidence, certitude, and humility all at the same time you have the basis for mysticism in general.
When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.
The energy of devils and angels is the same energy; it's how you use it. It's fuel. There is a saying: If you scare all your devils away, the angels will go away with them. You know, the halo and the horns are the same thing. I mean it's OK to be spiritually horny - that's what creative genius is all about. Geniuses don't have time to think about how it's going to be received... they don't have time to think whether people like it or not, is it morally right, will God like it?
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
It's actually hard for creative people to know themselves because the creative self is more complex than the non-creative self. The things that stand out the most are the paradoxes of the creative self ... Imaginative people have messier minds.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
At the deepest level, the creative process and the healing process arise from a single source. When you are an artist, you are a healer; a wordless trust of the same mystery is the foundation of your work and its integrity.
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
True life is creativity, not development: it is the freedom for creative acts, for creative fire, rather than necessity and the heaviness of congealing self-perfection.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
I believe that true identity is found . . . in creative activity springing from within. It is found, paradoxically, when one loses oneself. Woman can best refind herself in some kind of creative activity of her own.
I was thinking about time, how on a movie set the shot is maintained in the same time no matter how many takes and hours pass. Reflectors and lights are added, footprints are smoothed away, so that there are no telltale clues as the day wears on. When the shot is finished and the plugs are pulled, time seems to leap forward in a matter of seconds. Perhaps making movies is a step toward being able to move backward and forward and in and out of linear time.
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