A Quote by Rosanne Cash
I wanted to be the writer in the room setting depth charges of feeling out the world with my language.You know, I had a very romantic idea about that.But I grew into being a performer.
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I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.
The romantic idea of the penniless writer is false. It's terrible. I hated being in debt. I hated the anxiety of not knowing whether we could pay our rent that month. Thankfully, I had a wife who was very supportive and had faith and shared my madness.
As much as I loved Pacino and De Niro and wanted to be a dramatic actor, I also grew up on sitcoms. I grew up on 'M*A*S*H' and 'All In The Family' and 'Cheers.' And then around this time - this would have been '95, '96 - I was so into 'Friends' and 'Mad About You,' the idea of being on a sitcom became a very real thing that I wanted.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
Hemingway never grew out of adolescence. His scope and depth stayed shallow because he had no idea what women are for.
I knew I wanted to act from a very young age - from about nine, really - but I didn't know how to go about it. I had no idea. The world was a much bigger place then.
Very little about being a writer is signing an autograph. It's sitting in a room and writing. Getting it out.
I wanted music to be a career. To base everything on fame to me seemed a dangerous thing - I wanted my foundations to be about improving as a performer and writer. No one could push me into going down that route of being a celebrity singer.
Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.
I attended Art & Design High School, and at one point, you had to write about what you wanted to be when you grew up. I wrote that I wanted to be a writer for 'Mad' magazine.
When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years ? whether it is being the writer or being the lover ? turns out to be an extremely taxing job and hardly the pleasantest of human activities.
I had wanted to be a writer for a very long time, but I had no talent for finishing books. I would start them, get about 20,000 words in, and come to a screeching halt, because I had no idea how to outline a story or what my own process as an author was.
The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.
My parents are actors as well, so I grew up around that world. It was always a very romantic, mythical world. They did a lot of theater, so to me an actor was getting to come backstage and dressing room mirrors with bulbs around them and trying on people's costumes. It was very exciting to me as a child.
I wanted to be a writer all my life. Since I was 10. And then at a certain point I began to assume I was one, which is rich, I know. I didn't meet a writer until I was nearly an adult, so I had no idea what I'd bet the farm on.
I always wanted to be a teacher. I went to school to be a teacher. And I've always, you know, had this sort of romantic idea about it. But I'm worried about - I'm worried about education.
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