A Quote by Rosanne Cash

I needed to carve out my own place and find out what I was going to do. — © Rosanne Cash
I needed to carve out my own place and find out what I was going to do.
I needed to carve out my own place and find out what I was going to do
Women must learn to find self-worth within themselves, not through others. It is important to carve out a place just for you.
Of course, growing up, I was a big fan of rap so that was something that I got into. I was a fan of a lot of artists. You can be a fan, but at the same time, you gotta carve your own swagger and carve out your own style.
Women who have managed to get successful normally have had to carve out pretty much their own route for doing it, because there are few roadmaps for how, as a woman, you become successful. You think about having to do it yourself, you carve your own way. Does that relate to being Jewish?
Train yourselves. Don't wait to be fed knowledge out of a book. Get out and seek it. Make explorations. Do your own research work. Train your hands and your mind. Become curious. Invent your own problems and solve them. You can see things going on all about you. Inquire into them. Seek out answers to your own questions. There are many phenomena going on in nature the explanation of which cannot be found in books. Find out why these phenomena take place. Information a boy gets by himself is enormously more valuable than that which is taught to him in school.
I was 28, and my mom was living with me. I had to decide. You have to claim it; you can't ask permission. After a gig in Singapore, she went home, I went to New York on my own, I packed her stuff in boxes and sent it home. I don't think she liked me for a while for doing that. It was something I needed to do to carve out my own space.
I needed a song and I need a place to kind of get it out. John Paul [White] was there for me as a friend, and I really appreciated that because I just needed a place to go.
I'm my own person, and am trying to carve out a career on my own.
I want the freedom to carve and chisel my own face, to staunch the bleeding with ashes, to fashion my own gods out of my entrails.
I was lingering out on the pavement. There was a missing person inside of myself and I needed to find him . . . I felt done for, an empty burned-out wreck . . . Wherever I am, I'm a '60s troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows.
What I needed to do was carve out parts for me, roles for me that weren't just the sidekick, where I got to be the lead, because that's breaking through.
The Falstaff people, romantics all, went for it. They were so anxious to find out what I was going to do that they could hardly bear to wait out the two weeks. I was rather anxious to find out what I was going to do, too.
I was determined to carve out a music of my own. I didn't want to copy anybody.
Daring to reach, to climb, to crawl, to scratch, to get back up when you've been knocked down, to push forward - ever forward - to forgive. It means sacrificing everything if necessary, to carve out a place for your own existence. It means living.
Eventually, I had to figure out what the hell I was going to do with my life. I needed to find my way back to Fleetwood Mac.
The wanting was a wilderness and I had to find my own way out of the woods. It took me four years, seven months, and three days to do it. I didn't know where I was going until I got there.It was a place called the Bridge of the Gods.
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