A Quote by Rosario Dawson
Maybe you just have those impromptu conversations, or where all of the sudden you're standing on the corner waiting to cross the street and you notice three people looking up and you look up with them. And you all smile at each other because you're seeing a little piece of a rainbow between two buildings, and that little rainbow and you all just shared a New York moment, and that's awesome, and then you keep on in your way.
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I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
. . . . . . . . . . . . . . . . . . . . . . . . .
I stared and stared
and victory filled up
the little rented boat
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts
the oarlocks on their strings,
the gunnels-until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
'God put the rainbow in the clouds, not just in the sky'... It is wise to realize we already have rainbows in our clouds, or we wouldn't be here. If the rainbow is in the clouds, then in the worst of time, there is the possibility of seeing hope... We can say 'I can be a rainbow in the cloud for someone yet to be.' That may be our calling.
I love taking people on that journey, which I feel like can open them up to seeing human beings a little more complexly. People that you originally don't like, maybe they have reasons for the way they are, and maybe we can start to understand each other a little better as opposed to being quick to judge and dismiss people.
Birth order effects are like those things that you think you see out of the corner of your eye but that disappear when you look at them closely. They do keep turning up but only because people keep looking for them and keep analyzing and reanalyzing their data until they find them.
Take three conscious breaths. Just pause. Let it be a contrast to being all caught up. Let it be like popping a bubble. Let it be just a moment in time, and then go on. Maybe you are on your way to whatever you need to do for the day. You are in your car, or on the bus, or standing in line. But you can still create that gap by taking three conscious breaths and being right there with the immediacy of your experience, right there with whatever you are seeing, with whatever you are doing, with whatever you are feeling.
I think maybe we die every day. Maybe we're born new each dawn, a little changed, a little further on our own road. When enough days stand between you and the person you were, you're strangers. Maybe that's what growing up is. Maybe I have grown up.
Journalism today is obviously in a major transition. Going to journalism school, learning how to write, working your way up in a little paper in Decatur, Georgia and then moving to Atlanta and then maybe to New York: it's just over. You have to have a whole other set of skills now. You have to be a videographer, you have to do social media. You can't do a long, thoughtful, insightful piece if you don't have the time to do reporting, particularly reporting around somebody who doesn't want to be known or an issue that doesn't want to reveal itself.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
For the young, let me tell you the sky has turned brighter. There's a glorious rainbow that beckons those with the spirit of adventure. And there are rich findings at the end of the rainbow. To the young and to the not-so-old, I say, look at that horizon, follow that rainbow, go ride it.
O, beautiful rainbow; - all woven of light!
There's not in thy tissue, one shadow of night;
Heaven surely is open when thou dost appear,
And, bending above thee, the angels draw near,
And sing, - "The rainbow! the rainbow!
"The smile of God is here."
When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.
Another thing you end up doing when you get older, is you spend so much time sort of trying desperately to keep from just looking just a little older. You're just constantly putting stuff on your face and having things removed from yourself and opening up copies of "Vogue" so that you can find new ways to throw whatever money you've managed to save into the arms of some doctor who has just come up with a new way of lasering your face that feels like electroshock and all these things.
It is a little bit strange from when you share a dressing room with someone, you play with them and then all of a sudden they are your manager but you used to have conversations with them that stay in dressing rooms and now you can't really have those conversations!
We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
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